Rosalia Rambles

Tag: hololive

  • Redundancy Review: Day 334-336, “Mission Statement”

    Redundancy Review: Day 334-336, “Mission Statement”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning C-Suites and executives, welcome to Day 334-336 of Rosalia Rambles Redundancy Review.

    Going to be another career focused ramble today, though one that hopefully ends off with a more positive message around my own work than anything else. 

    It feels easy to create career-focused articles right now because of how much is going on in my head surrounding my current career. Whilst there is a prevailing desire to leave behind startup culture with a greater motive of leaving the tech industry entirely, I cannot deny that the prospect of transitioning away from a five year career feels somewhat daunting – especially when that entire time has been spent within the corporate yoke.

    The problem in my mind is that I am far too good at existing in a system that I do not want to be a part of. This especially hits home when I reflect upon my own self and how people such as myself often struggle to meld within these spaces whilst maintaining the expectations of others.

    Or to drop the formal business speak: how the fuck has my trans and neurodivergent arse survived in this world for so long?

    In all honesty, the answer is most definitely privilege, in that my career thus far has been surrounded by people who either understood where I was coming from – my line manager’s last message to me at Codemasters was “I hope you become the person you want to be” – or had a natural curiosity about my situation and wanted to learn more from the source rather than making assumptions based on whatever the media is saying.

    Side note, if on the off chance you are somehow reading this: I am definitely the person I want to be Pete, and I hope the crazy world of EA has not swept you up too hard like it has done to so many of my other colleagues.

    People understood that my brain was likely going to cannibalise itself every so often, and when I brought up my concerns to the people responsible for managing me the response was usually:

    “Wow, that sucks. You’re still doing good work though so try not to stress too much.”

    Which does track. I will have moments where everything sucks and my mind is eating itself alive, but I still try to deliver. I guess allowing myself to have schedule slippages on the Redundancy Review now is a sign that I am being a bit kinder in terms of how I treat my work…

    …not a massive fan of the wording there, which is strange to say cause I wrote it, but I am not “allowing myself” to have breaks. The Redundancy Review is a reflection of who I am as a person, breaks in the schedule of the so-called “daily series” reflect how I am feeling in the current situation I find myself in, having lost two jobs within the span of a year.

    This leads nicely into what the title is about. One of the main things you come across when applying to corporate jobs is when you start doing your research on the company you want to join, which invariably leads you to a “mission statement” or “core values” page.

    Borrowed from my old haunt of EA

    They usually are one word titles followed by a brief summation of what it means to the company, and it is one of the easiest wins you can find in a job application or interview by being able to quote a company’s values back at them as it shows you took the time to learn about the foundation of the company.

    Considering I want to work on this site as a proper artist in the wake of this latest layoff, whilst simultaneously showing that even though I have made a public declaration to leave the industry, I still have the wherewithal to reinsert myself back into the corporate if needed: I am going to write a mission statement for Rosalia Rambles today.

    Rosalia Rambles is the personal brainchild of one Rosalia Butler, an introverted and slightly neurotic writer from the UK. Her headline series is the “Redundancy Review”, an (almost) daily series which covers her adventures navigating joblessness whilst also providing an outlet for her to gush about nerdy things. In addition to this, she is a passionate fiction writer with the ability to adapt to any genre and an underlying talent to try to make any piece of fiction trans allegory. 

    Going forward, she wishes to adopt the following values into her work:

    Humanity – The focus of the Redundancy Review is the human behind the screen. This means there will be no Generative Artificial Intelligence content hosted on this website, as to do so would be to sacrifice the integrity of the site as a whole. 

    Expression – Art is a reflection of the soul. Whilst there will be nuances in how certain topics are presented to maintain professionalism, ultimately this site is meant to be an expression of my true self. This means a decent amount of swearing, an unabashed joy in how I present myself as a trans woman, and very few filtered thoughts unless the situation calls for calm.

    Messiness – Humans are messy creatures, and any articles or stories will reflect that messiness by presenting an unfiltered view into the soul of an artist. I will make mistakes, I will not filter feelings, and I certainly will forget to correctly place images in the future. Mistakes are what remind us we are human: we make them, we fix them, we learn from them.

    Kindness – To borrow the guiding principle from my mentor: “Everyone shits. And how we deal with that is how we move forward as people.” I shit, the people behind topics I review shit, everyone shits. What matters is how we navigate the fact that everyone shits, with the overriding value of kindness above all else.

    Legacy – “Life isn’t just about passing on your genes. We can leave behind much more than just DNA. Through speech, music, literature and movies… what we’ve seen, heard, felt… anger, joy and sorrow… these are the things I will pass on. That’s what I live for. We need to pass the torch, and let our children read our messy and sad history by its light. We have all the magic of the digital age to do that with.” 

    …yeah that last is ripped verbatim from the ending of Metal Gear Solid 2, but considering I am a card-carrying member of the Cult of Kojima, I have no shame in applying some of his fantastic writing skills to my own work.

    In a sillier world I would add “VTubers” as a core value, but that is what we have VTuesday for.

    Raora Panthera falls into the same category as Nerissa Ravencroft to me, in that a new generation of Hololive talent debuts and there will be one or two members I am instinctively drawn to, but the remaining members end up standing out to me in their own ways.

    Specifically, what drew me in with Raora was twofold:

    • Her amazing Youtube shorts that either played around with her lore as a member of Justice, or just her explaining how to make various Italian dishes
    • Her streams of Monster Hunter World, which became frequent background noise during my work hours whenever she streamed it

    The latter in particular was very good at making me a fan, as I gelled with her personality very easily and I became familiar with her more nerdy side over time.

    Today’s review is about her second original song, “Draw.”, and I think it is a good example of being able to engage with art even if you do not fully understand it.

    Case in point, this song is in majority Japanese with no English subtitles available, and only a few English lyrics to go off to try to discern the meaning.

    Despite that, I consider this a beautiful piece of art about the nature of creation, and how art that comes from the soul is made with the purest colours.

    “All the pieces I picked up
    Unraveled within my own chest
    “It’s okay,” I whisper softly
    Saying it back to myself”

    To me, this English verse refers to the nature of an artist drawing inspiration from the world around them and using their heart and instinct to make sense of it all, reassuring yourself that art created from your own external stimuli is valid, especially if you use it to help you process the things you see.

    “All the colors I held back
    Start to gather in the hush
    “It’s all right,” the first light tells me
    Sending warmth into my heart”

    This verse refers to the artistic side struggling to express itself in the way it wants to. Colours in art can mean multiple different things, and can bring about many different interpretations, and it is good to let those colours out as an expression of yourself, letting whatever artistic muses you may have influence what you put down on your medium of choice.

    The main English verse though is what made this song speak to me:

    “Draw it slow, draw it true.”

    Art is an inherently slow process. It can take months, sometimes years, even decades for a work to reach its true completion, what matters is that the end result is true to the mind behind the work. Speed does not matter when creating works of art that reflect the nature of the soul, the key factor is that the end result rings true to the soul of the artist.

    “The effort you put forth to anything transcends yourself, for there is no futility even in death”

    Monty Oum

    Outside of the lyrics, the music video itself is gorgeous, reflecting what it means to be an artist with delightful visual references to programs, tools, and silly little doodles present throughout as well.

    I love the medium of VTubing, especially as VTubers from across the spectrum of corporate to indie all put in immense effort to their creative contributions to the world. I often use the phrase “digital puppetry” to describe VTubers to people who might not be familiar with the topic, but the medium itself goes far beyond such simplistic terms, as every VTuber is an artist in their own right, no matter what area of expertise they specialise in.

    A perfect blend of corporate speak and talking about the nature of being an artist, all the while affirming what I consider to be the “mission statement” of the Redundancy Review – this might be one of my best works yet.

    Thank you for reading today’s edition. Wherever you are, I hope the week is treating you well so far. The world continues to turn even if our bodies are catching up to that fact, and whatever we do this week, we can smash it.

  • Redundancy Review: Day 329, “Tidying Time”

    Redundancy Review: Day 329, “Tidying Time”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning caretakers and clearers (yes that is a word, I specifically looked it up), welcome to Day 329 of Rosalia Rambles Redundancy Review.

    Spent a bit of today doing some cleaning, both of myself and of my living space, specifically starting to tackle clearing out the fridge and freezer in order to make space for various essentials I want to pick up in the coming weeks whilst I still make my current amount of money alongside tidying up the bathroom so I could stick the shower baskets back on to keep things relatively organised.

    Housework is always something I struggle to find the impetus for, possibly because of that old bastard ADHD. It never seems urgent in my mind, so it falls by the wayside in favour of other things, but simultaneously, I am a housework fiend when it comes to procrastinating something more important…

    …there is a joke in here about how my flat is going to be the cleanest it has ever been as I put off finding another job, but I do not know how confident I feel to make it.

    So instead I think I will spin it more into a general discussion topic, specifically along the lines of: What sort of timeline do I think I will find a new job on?

    The short answer is: “eeeeehhhhhhhhhhhhhhhhhhhh?”, with the explanation to that answer and the long answer being one and the same.

    As I have mentioned previously, processing where I want to go next is the first priority, and given I am extremely privileged to have a good amount of runway to support a long amount of processing time, debugging myself and recovering from burnout is the key.

    At the same time though, I know this is also partially because I reckon a three-to-six month job search is going to be the optimistic end of the timeline, with upwards of one-and-a-half years being the middle ground between pessimism and realism given how rough the market is currently for job searchers, hence my logic of wanting to throw myself into writing cause if I am going to be on the search for a while, I may as well maintain a massive personal project.

    It is the advice that is always given to all walks of life in terms of career development: maintain a personal project. Artists of all flavours, programmers, and even quality assurance professionals such as myself are expected to work on projects or ideas outside of work hours to show your dedication to your craft, and it is the theory behind this that I have a love-hate relationship with.

    I get the logic behind it, promise. Working on stuff outside of work can help show employers what you are capable of in ways that cannot be expressed properly in an interview or job application, and it can be fulfilling to see a personal project through to completion – especially if you do so with friends.

    But at the same time, and especially with modern work culture, the idea of giving up personal time to go beyond work feels extremely unfair in terms of how it makes you stand out to employers. Heck the reason there are so many gaps of multiple weeks between Redundancy Reviews before I got shitcanned was because I would finish a work day and not even want to fathom doing anything that would class as brain stimulation – and I work remotely.

    Remote work means that I do not have to consider the same factors as other people do:

    • There is no commute to worry about, freeing up on average two hours
    • I live in a very walkable town that has numerous local amenities for lunch and food shopping, meaning I can do those errands on my lunch hour
    • During my breaks from work, I can make small dents into the housework list as a way to get away from the screen and decompress my mind
    • And because I only had a few meetings a day, I could spend my focus energy on actually getting the job done rather than having my social battery drain bit-by-bit

    All of these are an extreme privilege to have against modern work culture, and asking someone who works longer hours and also has to deal with a commute to give up their paltry time in the evening or any amount of time during the two weekend days they get to work on a personal project feels, in equal measures, performative and exploitative.

    There is also a prime opportunity for me to drag AI through the mud once more off the back of that, but I think I will save that one for another day and instead talk about VTubers that I like.

    Like Nerissa Ravencroft from Hololive English Advent.

    I ramble about Shiori Novella enough, but I have only slightly alluded to what I think about Nerissa. When Advent initially debuted she was actually the design I was taken least with, but as time went on and I saw how she interacted with the community on streams, I started to fall in love with how this silly goober functions, combined with her absolutely godlike singing voice.

    Her originals are wonderfully crafted pieces that resonate with different emotions in each piece, from alluding to the playful and seductive nature of demons in “Say My Name”, to diving deep in how it feels to reflect alone on mistakes and past trauma in the hauntingly poetic “In My Feelings”… and well, I could talk about Oyome Holic here too, but let us save that for a day where I am not writing this at past ten in the evening.

    This varied vocal energy is brought out in the cover songs she creates as well, with the two I am wanting to highlight showing both ends of the Vocaloid producer spectrum with “Birdbrain” nailing the esoteric and weird side of things (alongside nailing the scream right at the end of the bridge), and with “Rabbit Hole” utilising Rachie’s English lyrics being…

    …well…

    …Rabbit Hole is a hell of a good song, and I will leave it there to save myself any embarrassment.

    Outside of this though, the thing I admire most about Nerissa is her work ethic. She does so much behind the scenes to enable music and streams for the Jailbirds, and this definitely deserves to be recognised more because the effort put in even when the odds are against her is one hell of an admirable quality.

    Plus her obsession with Culver’s acts as great advertising for the American chain, to the point that if I somehow end up in the US in the future, I would love to try it out.

    Anyway, that’s my VTuber rambling at an end for today, not so much a review, more just an unstructured gush about the talents I look up to.

    Thank you for reading this edition of the Redundancy Review. Wherever you are, I hope this week brings you peace and comfort where possible, or if you are facing hardship, that it passes by quickly without much weight on your soul.

    Keep on keeping on.

  • Redundancy Review: Day 322, “Comfort”

    Redundancy Review: Day 322, “Comfort”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning duvets and blankets, welcome to Day 322 of Rosalia Rambles Redundancy Review.

    Today does not feel like a good day. A mixture of the events of last week combined with period brain descending upon me has led to my emotions feeling volatile and horrible, flip-flopping from anger to regret over being angry to overwhelmed and somehow finding every emotion in between that.

    To this end, even after I dragged myself out of bed to play some Umamusume and watch the Helldivers 2 patch notes video with my partner, I find myself back in the same location sipping a delicious mocha and finding some weird inspiration to write about how I feel right now.

    Period brain can do many things to me, but one of the worst things it does is turn the various negative parts of my mind up to eleven. Catastrophising gets amped up to the point that even the most minor inconveniences somehow turn into world-ending events, depression and despair make my outlook on things I enjoy turn into doom and gloom predictions of wondering what could go wrong, and as for my aggression levels, well, I will refer to contemporary poet Fred Durst to explain how it feels:

    “It’s just one of those days where you don’t wanna wake up
    Everything is fucked, everybody sucks
    You don’t really know why
    But you wanna justify rippin’ someone’s head off”

    It is a rare occasion where I get to quote Limp Bizkit for something – I do not even consider myself a fan, but “Break Stuff” is an infinitely quotable song for moments like this.

    So, what do I do when everything is fucked and everybody sucks?

    I seek out things that comfort me.

    Quick synonym tangent, I initially used the word “insular” to describe how I prefer to interact with things that comfort me, but I did not think that really describes how I view the situation, a point that was compounded further when I looked up the synonyms of the word and I did not really agree with any of them. Thesauruses are great, I know most people would use an LLM to do the task today, but that removes the joy of discovering just how many synonyms can exist for a word as the chatbot response will only cover the most popular.

    Back on track – comforting myself is an activity I usually do in seclusion more than anything else. Whilst other people (my partner included) find comfort in getting out there and spending time with like-minded individuals, my comfort typically comes from being in a private space where I can engage in my hobbies. 

    Most of the time, this is me getting all cozy in bed with a hot mocha and an ice water, with me zoning out to streams or playing stuff on my Steam Deck. Long stretches of time where I can have no interruptions from the outside world where I can focus solely on immersing myself in another world.

    Escapism would be the most appropriate term to describe this I guess, something I have talked about before last year with a Redundancy Review. It was the reason why, up until I got canned again, that I was looking at properly investing into cosplay more this year cause I view the idea of getting all dressed up in the outfit of one of my favourite characters as one of the ultimate forms of escapism.

    Feels weird to say in a way, that one of my ideas of peak comfort is dressing up in an elaborate getup only to sit at home and do the things I would be doing anyway, but I think it serves as an important disconnection point to the harsh reality that envelops so many of us today. A persona, if you will, one you can put on or off at will to help feel like you are someone greater than you are… though I feel I lean more towards “magical girl” vibes than “superhero” vibes when the latter would be more appropriate to some.

    This is also where my love of worldbuilding and elaborate details probably comes from. The notion of having a fantasy world where even the most minute details are thought through brings joy to my soul, where systems are thought through to try to give them as much grounding within the real world whilst retaining the whimsical aspects of fantasy.

    And considering this is the first VTuesday I have been able to mark in a while, this also marks a good opportunity to talk about why VTubers appeal to me in the context of escapism.

    Despite having never grown up as your typical “theatre kid”, being more the shy and reserved type, there is a certain appeal in the notion of regular people being behind virtual avatars. Whilst kayfabe is slowly becoming less of an “essential” part of VTuber culture, for better or worse, the characters that the performers embody can still carry a lot of emotional weight in their words and actions.

    This might be why Hololive English Advent is my favourite unit of VTubers, as they blend together what I consider to be a perfect mix of the real person underneath combined with their lore and characters. Their personalities coming through on streams and them being the sweetest people ever contrasts wonderfully with how their original songs and stories go.

    An original song is the topic of today’s review, the final part of Advent’s five-part story: Unchained

    I reviewed Genesis what seems like a lifetime ago, and between then and now the remaining songs have come out of the series. Is it a little weird I am reviewing the final song without having covered the second, third, and fourth songs? Yes. Do I do anything in order on the Redundancy Review? You bet your sweet arse I do not.

    Unchained I feel is an appropriate song to review both for a day like this and considering the events I have been going through recently. It is a song about escaping from any trials you have gone through before and living a new life full of freedom, hope, and expectation for tomorrow.

    The first chorus in particular speaks to me:

    “Now I feel so free, I can be who I am,

    I know I’m not alone, I got a new life,

    In the rain, the wind, and the sunlight.

    You believed in me, and that’s where it all began

    Now hope is everlasting, I can live my life with you,

    Unchained”

    With this next stint of unemployment, outside of some emotional volatility, there is much less fear than there was before. In a way, I do feel like I have a new lease of freedom compared to what I had before, and that no matter what days ahead I face, rain, wind, or sunlight, I have a life that I can truly call mine, one fully unchained from the past.

    However… it would not be a Rosalia Rambles piece if I did not find some way to extract a trans allegory from this song, and by god the chorus definitely hits that criteria. 

    Being trans mean to live a true life unchained from the expectations of others, and in living that truth you live a happier life no matter what outside forces are coming at you – and believe me there are a lot of outside forces that want to bring you down if you are trans.

    Transition is not a solitary thing though, or at the very least, transition gets a whole lot easier when you have supportive people in your life. Having confidants that believe in you and want to encourage you to be your best self can give you some amazing amounts of motivation to live your life to the fullest.

    I also want to do a bit of analysis on the bridge, as I feel that is a wonderful sequence that speaks to the lore, and actual social dynamic, of Advent being a found family of misfits:

    “Don’t cry, you can breathe free; I’m here if you need me

    Let go of all your heartache,

    We made it through, it’s the dawning of a new day

    Feel the world’s embrace,

    Oh what a joyful place

    This is where I wanna be, so come with me;

    Keep dreaming…”

    First off, I have to gush about the first two lines sung by my absolute favourite sweetheart Shiori Novella. Her voice is so smooth and soft making these lines so comforting to listen to.

    But all of these lines combine to give the vibe of Advent regrouping after they finally made it out of The Cell together, taking a moment to breathe and take in the world around them, seeing the beauty of nature once more before carrying on in the world, being free to dream once more as the group of lovable renegades they are.

    God… for all of Hololive’s documented issues, I still find it so easy to support the girls when they put on massive projects and performances like this – especially knowing how bureaucratic it can get behind the scenes sometimes.

    Thumbnail picture, swiped from the official Hololive English Twitter account

    That covers everything for today, a somewhat rambly Redundancy Review for a very up-and-down day. Thank you for reading this edition. Wherever you are I hope you are able to relax and enjoy the things that bring you joy and make life worth living.

  • Redundancy Review: Day 213-217, “Getting Distracted”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning latecomers and no-shows, welcome to Day 213 to 217 of Rosalia Rambles Redundancy Review.

    Spent time over the weekend not writing to focus on spending time with friends and doing my own things.

    Did not write.

    Got too involved in games last night to take some stress off.

    Did not write.

    So tonight, after one of my regularly scheduled gaming sessions, I am forcing myself to write something before I do anything further for my own entertainment tonight.

    Maintaining discipline is hard, especially when I work a full-time job in addition to handling day-to-day tasks, often leaving little time for writing when all I really want to do is play RPGs or watch cartoon horses run around a track. The ADHD does not help in this regard, though that affects both my personal and professional ventures.

    It can sometimes be a blessing, usually when the hyperfocus hits just right to allow me to belt through a massive chunk of work in a short amount of time or hit the writing flow exceptionally well to the point I will ramble on for several paragraphs about whatever topic sits at the forefront of my mind, but this boon of hyperfocus comes with the downside of what it feels like to be at the opposite end of the spectrum.

    Complete.

    Shutdown.

    No work gets done, no nothing gets done unless it provides the adequate of dopamine to kickstart my addled brain once more, and the worst part is when this state comes right after a period of hyperfocus – usually being knocked out of it by something happening in the middle of my work, or as is often the case nowadays, finding myself frustrated at something to where it snaps me out of my flow state into a short period of sulking where I need to do something completely different or else my brain does not want to cooperate.

    This is where having a remote job with a flexible work schedule really helps me out, as I am able to take that time without a manager looking over my shoulders wondering why the hell I have stopped for a bit and get myself back into the right state of mind, along with not having to worry about not being able to stay later due to that interruption, I have the time to get my work done.

    That freedom is something I definitely do not take for granted, and my working environment is what has allowed me to be my best self all this time because I am free from the psychological distractions that usually come from being within an office. Part of me wonders how long it would take to resocialise me if I were to ever work in person again, because I know I can be equal parts abrasive and weird when it comes to my working style, not to mention the copious amounts of swearing… did hit an extremely satisfying “son of a bitch!” during work yesterday though, that felt great.

    Alright, that is enough sidetracking. It is very rare I managed to hit Tuesdays on schedule given recent slips so I wanted to make the most of it with a proper VTuesday segment, once more talking about a song, this time from a contender for my Hololive English kamioshi, Ninomae Ina’nis with Tako Takover.

    On stream vibes alone, Ina worked her way into my heart with cozy gaming and art content, but she is equally talented as a singer, leading to beautiful pieces like Violet all the way to surprisingly intense pieces like Tako Takover.

    And when I say intense, I mean there is a part of me that is dying to be in a crowd whenever this is played live because I feel the call & response and chanting would be absolutely insane to be involved in.

    Right after the opening lyrics there is repeated chanting of “ICHI! HACHI! TAKODACHI!” followed by “INA INA INA”, which never fails to get me into the listening mood for this song, finding myself singing along very soon into the song…

    …which is completely the point given the insanely clever lyrics written by fellow HoloEN member Mori Calliope, combining the beautiful puns that Ina herself is known for whilst weaving a story about the Tentacult rising to power in the world with Ina herself as the leader behind the new world order.

    I am not immune to propaganda, and considering this is essentially a propaganda piece for a cult of weird little purple guys following a priestess of the Ancient One… sign me the fuck up. 

    In a way I am glad I fall for fictional propaganda more than I do real world propaganda because if I were not as politically aware as I am I feel I would have fallen into a cult or an alt-right pipeline by now.

    That is entirely beside the point though, what is the point is this song is awesome, though, given it was composed by Aiobahn +81, composer behind Internet Yamero, a similarly intense and catchy song with crazy lyrics, it is no surprise. 

    Yeah no my brain has stopped working now. Listen to the song, or both of them, and feel the rhythm of the bass hit you, I guarantee either one of them will be stuck in your head after.

    And I have to thank Ina herself here for posting a nice full size picture of the thumbnail of Tako Takover on her Twitter account so I can use it as a thumbnail.

    That about covers it for today, hopefully I can keep the discipline up to get back to a reasonable schedule. Thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to relax and take the week easy.

  • Redundancy Review: Day 210, “Heart of an Idol”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning units and detachments, welcome to Day 210 of Rosalia Rambles Redundancy Review.

    Missed a fair few milestones due to not having the energy to write throughout the majority of December, but considering I am reasonably on schedule this time we can commemorate thirty weeks worth of the review… provided my maths is character, I think it is because a Tuesday is a multiple of seven usually and 210 is a multiple of seven, so I am pretty certain I am on track.

    Thirty weeks since possibly the most life-altering event I have encountered thus far, one that fully derailed where I was thinking I was going to go and shunted me onto the path I am currently on, a path that is currently serving me quite well even if I have my doubts about its longevity. It is weird to think that I am rapidly approaching the year anniversary of the titular event, hopefully I can stay on track to mark that as a milestone as well.

    It is VTuesday however, and the first one of those I have got to mark in a while as well, though today it is going to be more of a general discussion about an aspect of VTubing before heading into the review.

    Taking into account the origin of VTubing within Japan, it is almost impossible to talk about the majority of corpos and a significant number of independents without talking about what is often referred to as “idol culture”.

    And no, this is not going to be a screeching mess of an article about how idol culture is burning out massive amounts of VTubers , if just because I do not consider myself educated enough about the culture as a whole to articulate proper criticisms that are not just my own opinion as a relative outsider.

    This is especially apparent when you take a look at my history within idol-related media and find a fair few notable names lacking:

    • Never engaged with Love Live!, neither the game or the anime outside of Nico memes
    • Never engaged with Bandori outside of having a passive awareness of Chu2 and PAREO
    • And never engaged with Idolmaster to even know any of the characters by looks or name

    All I really took an interest in growing up was many other people’s first exposure to what an idol is: Vocaloid, and by extension… Megurine Luka.

    Yeah, no, for someone who started to interact with Vocaloid in their middle teenage years which was over a decade ago now dear god, Hatsune Miku was not actually the first Vocaloid to catch my eye, it was instead the elegant and graceful Megurine Luka I developed an attachment to first. Of course attaching to one Vocaloid almost makes it a guarantee that you will attach yourself to others which did happen to me eventually as well, it is just interesting to me I diverged from the norm from the offset.

    This fascination started with Luka Luka★Night Fever, which I cannot mention without saying rest in peace to Samfree, the producer behind this song. I hope you are resting easy knowing you left an undeniable legacy on this world with your music. From the get go the song is catchy as all hell with fun and energetic dance moves, dance moves which started to develop my interest in the idea of learning idol dances like so many young weebs aspire to do.

    In general, both back then and today, idol concerts are the driving force behind my semi-pipe dream of wanting to learn how to dance. There is something that just enraptures me about seeing the perfect blend of music, vocals, and dancing that makes me want to aspire to move like that myself… then the “pipe dream” part kicks in and outside of loading idol songs onto Beat Saber, I find it hard to find both the motivation and energy to learn, usually falling victim to my inconsistent sense of rhythm.

    I eventually branched out a bit more into Vocaloid, picking up a few other favourite producers along the way, with special mention going to Neru (the producer, not the Vocaloid Akita Neru) for some absolute bangers of songs with absolutely heart breaking lyrics – looking squarely at you Lost One’s Weeping.

    But as mentioned above, an interest in idols did not go far beyond Vocaloid as many of the other popular idol trends passed me by…

    …until Hololive showed up in my life, and everything changed.

    From that moment on, not only did I find a beautiful source of additional idol concerts to partake in, it massively expanded my world to finding other VTuber corpos and independent VTubers who provided similar sources of entertainment. This, combined with the massive boom that VTubing experienced over the early 2020s, made me fall in love with idol performances all over again.

    Although this time, as someone with both a fully developed brain and a reasonable sense of their own gender identity, it made me fixate on the general look and style of idol uniforms as a whole – primarily because I really wanted, and still do, to wear one some day with the even more massive pipe dream of attempting to perform in one.

    For now though, I am more than content to be in the crowd, waving my light sticks around, cheering “HAI! HAI! HAI!” or engaging in the ever so wonderful feeling of doing a call-and-response with whoever is on stage.

    But Hololive is now not the only source of my idol entertainment, as I now find myself fully in the grips of Umamusume: Pretty Derby, a franchise that somehow finds the perfect blend of sports anime and idol anime to make for an absolutely exhilarating and whimsical experiences delivered by your Uma clutching victory from the jaws of defeat before going up on stage to perform in the “Winning Concert”.

    Both in the anime and in the game I find myself singing along and cheering during the various performances, along with me and my partner groaning in despair when the anime decides to skip over winning concerts or dangle the hints of them in our face – special highlight here going to Next Frontier.

    True to their name, idols give me inspiration. I see how hard they work, often in the face of odds working against them, putting in all their effort to put on shows both online and in real life, and I find myself wanting to strive for the same peak in my own life and my own art. This is definitely apparent in the music of one 2.5D fairytale idol, the ever lovely Phoebe-chan and her song “Bloom Again”.

    It has only been recently that I have known who Phoebe-chan is, going back to her headline performance at the VExpo 2025 opening concert… though the funny part of that is my partner and I ran into her a short while before the concert. She was getting ready in the lobby of the hotel we were staying at, and, true to my partner’s fascination with frilly and fancy outfits, he stopped to talk to her whilst I went back to our hotel room, it was only later on that we connected the dots of what happened.

    Her performance during the concert was a mix of heartwarming moments with her original music, talking about difficulties encountered throughout the year and wanting to grow beyond what had happened in the past, followed by absolute meme territory featuring a performance of Renai Circulation with Smash Mouth and Space Jam put into the mix.

    From that moment, and compounding that with the small meet & greet she hosted the day after where we got to have a proper conversation with her and purchase some of her merch, I have found myself a quiet but dedicated fan of her work, resonating with the themes of growth, rebirth, and trying your best to go with the flow that she puts into her music.

    I actually said to her during that meet & greet that I had almost cried during her opening concert performance, as what she talked about resonated deeply with my own experience of losing my job a few months prior. I bought her album at that moment and she offered to sign it, writing a lovely message in the top-left corner.

    “Rosa, let’s meet again!! <3”

    It is a simple touch, but that small signature does help keep me going on some rough days, especially as I would love to see her again at VExpo this year.

    Plus her manager has the absolute badass name of “Steiner”, just such a powerful and cool name for someone to have.

    That… once more went way longer than I expected it to, especially for one once more so off the cuff. All the same, thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to find things that inspire you in your life, be they big or small, I hope something brings you joy and helps you find the strength to keep going.

  • Redundancy Review: Day 202-204, “The Patent Pending Year End Ramble”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning closers and finishers, welcome to Day 202, 203, and 204 of Rosalia Rambles Redundancy Review.

    I’m waiting in my cold flat when the bell begins to chime
    Reflecting on this past year as it doesn’t have much time
    ‘Cause at twelve o’clock, they take me to the New Year’s Dawn
    The sands of time for me are running low…

    Bit of an Iron Maiden reference to end the year off. Was sitting here trying to think how to write an opening to the year end ramble and Hallowed Be Thy Name just got right into my head.

    2025 is almost over, and for a lot of us it has been one right stinker of a year. There have been plenty of high points throughout the year where the light of hope shined brightly to break through the darkness, but true to the sequence of days this year started with, it really was a “WThF” kind of year.

    Not sure what a “ThFS” year looks like, but I am ninety-percent convinced it cannot be worse than what this year was.

    I am going to get all the negatives out of the way first, because there is:

    1. A lot of them
    2. I do not want the positives being buried by the negatives
    3. Holy shit this year went so wrong in so many ways

    Going to start with the elephant in the room: redundancy. The whole reason I am sitting here writing a series with that word in the title. Working in the tech industry often means that you await news of your next funding round or new business arriving in with bated breath, desperately yearning for a job where you work on a ThinkPad instead, but when the reality hits that you really do not have a job anymore, it hits like a truck.

    For me, I was anticipating it, and had begun job searching anyway… though I was not anticipating it so soon in the year, I was at least expecting to see 2025 in my previous role, so getting sideswiped in May was not fun in the slightest.

    In the wake of being laid off, the lingering resentment I hold towards the UK government came right to the forefront as I navigated the Insolvency Service, Universal Credit/Jobseekers Allowance, and then setting up as a sole trader with HMRC, fighting through bureaucracy at every moment in the short month I was unemployed. 

    Which, yeah, I was only actually unemployed for a month after officially being made redundant. I cannot imagine how some of my former colleagues feel struggling to find work several months after the fact, because that month felt simultaneously long and slow to me.

    Even with the future still uncertain, I do feel I have developed a fair bit due to doing this contract role. Has it been challenging in its own way? Of course it has, I still struggle to reconcile who I want to be with who I currently am, which has been the source of several mental challenges over the course of the end of the year, not helped by seasonal depression being an absolute monster this time around due to how grey and wet the end of the year has been.

    I do feel hardened by everything I have gone through, and not necessarily in the cold & cynical way I was initially on the path of earlier in the year. I still put too much of myself into things that will likely not return the same love and care, leading to me overusing my energy during the day leaving very little in the tank for the evenings and making it so my weekends are more focused on recovery than actually enjoying myself. 

    But I feel myself slowly gaining an acceptance of the future holding whatever it has for me, as much as I feel a latent desire to be in control of my fate. There is very little I can do to change things other than stay the path I am on and wait for opportunities to arise, which this year has definitely had a lot of good ones.

    That is enough about job stuff, time to move on to some minor negative things.

    First off: a custom cosplay going awry two weeks before my big convention holiday to VExpo. That really sucked, even though the resolution to it was an overall positive due to me getting a full refund for shoddy work. It has at least taught me to be extremely anally retentive and specific when it comes time to define the specifications for a new custom cosplay in the new year, a goal I definitely want to try again with, though maybe not entirely with Hololive this time around.

    Secondly, and I mentioned this in the last Redundancy Review: having to fight an online fashion community for besmirching my partner’s honour, another event that came with a lot of negatives, but has some positive linings.

    Was it a traumatic ordeal for the both of us to navigate false and inflated accusations from a bunch of elitist randoms online? Yes

    Did it take away three precious days of our life navigating the ever changing goalposts those upjumped Discord mods enforced upon us? Yes

    Was our privacy violated by the amount of guilty until proven innocent assumptions a group of sad, lonely, and bored timewasters inflicted upon us? Yes

    Did I get a fucking thrill from taking their arguments apart piece-by-piece in an extensive Google Dockey and having a grudge to hold on to in order to live a beautiful life for both me and my partner out of sheer spite? You bet your arse I do.

    And again, if anyone from that fashion community is reading this post because you still feel the need to cyberstalk us, read my words carefully. I am more than capable of holding this grudge until the two year waiting period is up, and then holding it beyond that point to fuel the spite even further.

    God that feels good to get out of my system.

    And finally: not spending enough time with friends, something I have been working on fixing in the last months of the year and want to work on more in the early months of 2026. From pulling out of social engagements at the last minute, having clashing plans that prevent me from making the most of my time with people, or just simply having my mental demons catch up with me at the worst times, there has been less time I have spent with the people I care about most in my life.

    Think that covers every major bit of negativity this year, time to move onto the way more positive aspects of the year.

    Starting with another elephant in the room: VExpo, the absolute highlight of my year, and focus of the best & biggest piece of writing I did this year what do you mean this was almost four months ago now what the fuck it was day 90 I wrote that and we’re on day 204 now.

    VExpo gave me a taste of a life I did not actually think I would have again. One of going out to conventions, meeting like-minded individuals who enjoy the same hobbies that I do, spending time engaging in all my silly hobbies and coming back feeling both the lows of post-con depression and the absolute high of experiencing such a wonderful event with so many memories made.

    It is my goal to return for VExpo 2026, and I want to make next year’s trip even better than the one this year, with hopefully the convention itself stepping up their game to put on an even better show.

    Next up, it has actually been a great year for me in terms of gaming and pushing myself to 100% complete various games, the proudest of which I definitely think is either Monster Hunter Wilds for the surprising reward of the size grind in that game due to how investigations work and how my friends and I were able to share investigations with one another, or Death Stranding Director’s Cut, for the fairly straightforward nature of all its achievements and the fact it is a Kojima game, so I was absolutely enthralled the entire time.

    It is something I would like to bring forward into 2026, picking up previous projects to finally finish off like Mass Effect Legendary Collection and finding new ones like Space Marine 2. Achievements are always special to me, and pushing myself to 100% games is something I seriously enjoy.

    One part of this year that has ended up surprisingly well for me is actually my financial situation. Without going into too much detail and oversharing sensitive information, for someone who lost their job in the middle of the year I actually end this year off with a stronger savings position than what I started in, almost doubling what I had at the beginning. Of course I still have to worry about taxes in a couple months time which will take a decent chunk back out of that savings cushion, but the fact I can be in a position to not be overly worried about that time is incredibly reassuring.

    And finally, I want to end this post off with what I think is definitely one of the biggest positives of this year.

    This.

    The Redundancy Review.

    A series born out of an unfortunate event, turning into my biggest writing project of my life, with several ups and downs and a lot of missed days, I still end this year off with:

    • 120 posts covering 204 days
    • Approximately 120,000 words across those posts, averaging about 1000 words per post and 584 words per day
    • 54 total food and drink reviews
    • 16 posts about VTubers and VTuber related content
    • 1044 views since kicking off the Redundancy Review

    All of which are insane milestones to consider when 2024 was one of my worst years for writing, and 2025, through a shit circumstance, ended up being one of my best.

    The year ends with a certain amount of uncertainty over my future still, but even in the face of adversity, I made the most of this year with amazing goals achieved nonetheless. For the thumbnail, I am going to post the bingo card I made at the start of the year alongside a group of friends in lieu of standard “resolutions”, which turned into a much more fun way to track the year gone by.

    And that does it for the Year End Ramble, and for the year. Thank you for reading this edition of the Redundancy Review, wherever you are, be it in the past or in the future, I hope you are doing well, and that life is on a steady path for you.

    2025 is ending, let us hope 2026 is a year of far simpler times.

  • Redundancy Review: Day 175, “Multiples of Seven”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning squares and factorials, welcome to Day 175 of Rosalia Rambles Redundancy Review.

    Tuesday is an important milestone day when it comes to writing these pieces, which makes it a shame that I have missed so many recently as part of my schedule slippage. We have the tradition of me making every Tuesday topic talking about something in the VTuber space, but the day also helps me keep track of how many weeks I have been doing the Redundancy Review, and by extension, making sure my day counter stays consistent.

    When it comes to writing a Tuesday piece, I will take the day and divide it by seven. Getting a whole number back means I am still consistent in my day tracking, and lets me know what week I am on.

    It is week twenty-five, if you are curious. Twenty-five weeks since I first got made redundant, with so much learnt about myself along the way, and yet… I still feel immature within the world as a whole.

    My birthday is coming up next week, and I will be twenty-eight years old, which coincidentally is also a multiple of seven, and my birthday is on Tuesday, which means it will be on a multiple of seven day for the review… okay I am getting tangential here, need to get back on track.

    Twenty-eight is a young age, all things considered, but I feel an immense amount of pressure from within my own mind to be beyond my own capabilities. For all intents and purposes, I have made an extraordinarily successful life for myself and my partner for people within our Gen Z age group, even through all the uncertainty and instability that my redundancy brought, we still had a very good lifestyle.

    I anticipate needing to do some amount of lifestyle trimming depending on the outcome of this contract and how easily I can come into new work after the contract ends. It will take a while for me to reach a point where I feel “stable” in terms of work again, and there is a real possibility that I will be in what I consider to be “unstable” work for a while yet.

    In the meantime though, I shall keep carrying on as I do, rambling about the nature of life as I see it and, when I actually make a post on a Tuesday, VTubers.

    Given the news this morning though, I feel I have to try highlight the work and career of Amane Kanata, a talent from Hololive Japan Fourth Generation who today announced they would be graduating at the end of December.

    This might be a little difficult, because I admittedly am not massively in tune to what work they have done outside of the few appearances I know off the top of my head, but I will sure try.

    First off, six years. Six years spent as a Hololive idol, working on streaming, original albums, and solo concerts. That is an impressive amount of time to spend in any career, let alone one that puts so much pressure on the talent to perform on a regular basis, so that level of dedication has to be respected.

    She listed her reasons for graduation in a document, the translated version of which I will link here (Twitter link) for full context, but it seems like she was taking on too many responsibilities above her position which led to her falling behind on her actual streamer activities, all of which took a toll on her health – all the more worrying considering she suffers from Meniere’s Disease, a very debilitating condition that causes vertigo, tinnitus, and fluctuating hearing loss.

    From the small bits I have seen of Kanata, she is an incredibly talented singer, being able to hold notes for extreme amounts of time whilst having complete control over her voice. Additionally, there was an absolutely massive outpouring of love on Twitter from other Holomems, finding out about her decision to graduate at the same time as the greater fanbase.

    People sharing good memories, saying how supportive she was of their activities, and saying that when things calm down, they should share good food together. It is the mark of a good colleague that everyone feels rough when you announce your departure.

    Though, it definitely highlights the rough nature of corporate VTubing in a way. Kanata taking on way more responsibility than her position dictated should not have happened, and suggests a lot of potential management issues behind the scenes that we as fans do not know about – something that has been speculated for a long time considering how often “disagreements with management” were cited as reasons for graduation.

    Any corporate entity is likely to have issues with management, but when the brand is built on the personas of these idols, taking time away from them which could be spent on brand building activities to instead fix problems above their station does not bode well, so hopefully after a rough year of multiple graduations for Hololive, the corporate structure going forward favours talents more and enables them to perform at their best without bureaucracy holding them back.

    For now, I wish Amane Kanata the best in whatever she does next. She explicitly stated she does not intend to reincarnate or return as a VTuber, preferring instead to be a private individual once more – which I can relate to.

    That covers everything for today, thank you for reading this edition of the Redundancy Review. Wherever you are, I hope your week is going well, and that you have positive things on the horizon.

  • Redundancy Review: Day 147, “Dreams”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning dreamers and nappers, welcome to Day 147 of Rosalia Rambles Redundancy Review.

    Something I miss a lot from my recent experiences with stress is that I have not been having any dreams lately, which makes me a bit sad honestly – not that I can really remember most of what happens in my dreams anyway due to not keeping a dream journal, but the ability to go inside of my mind for a sensory experience before my alarm goes off to rouse me out of sleep is something I oddly enjoy.

    Still capable of having nightmares though, though admittedly they are as infrequent as my dreams right now which is relieving. Specifically when it comes to having nightmares I can struggle to differentiate between what happened in the dream and what happened in real life, something that has actually led me to believing what happened in the nightmare before I snap myself out of it.

    My fascination with dreaming most likely comes from my love of stories, the idea that I can go to sleep with the ability to experience an almost nonsensical story produced by the random thoughts my sleeping brain comes up with has a strange appeal to it.

    But, as usual with me being a writer, the title has a double meaning, as I want to ramble about what my dreams are in an aspirational sense, and why despite the fact they feel so far away right now, I want to keep working towards them. This is partially inspired by a conversation I had with a friend over lunch about my current situation in relation to job searching, personal pursuits, and life in general.

    Let me start with the obvious one: writing. I would love to be able to make it as a writer somehow, either as a freelancer with reliably stable regular gigs with clients who love what I do or as an in-house dedicated copywriter for some kind of digital agency, though I know in this current economy that is one hell of an ask, especially given my minimal experience as a formal copywriter. Plenty of examples and instances throughout my career, just harder to sell than someone who has been doing it a lot longer than I.

    It would also be nice if I could monetise Rambles in some way, which I sort of already do with commissions (contact me for commission rates, I would be happy to work on anything you like (yes anything)), but that is also a similarly tall task to make it support all of my expenses.

    For now though, Rambles is my creative outlet, something to keep my mind active and my skills honed against the tide of AI-generated content. Hopefully when my life calms down a bit I will be able to write more fiction and get to some of the more in-depth pieces I always promised myself I would create.

    My dreams are not limited to writing though, some of them are logical, some of them are… a little more esoteric.

    I would love to make my own card game one day. I have grown up playing all sorts of tabletop games, from starting out with Warhammer 40k in my local library, to being introduced to the GOATed deckbuilder that is Star Realms, before I was finally brought down to the gutter when I got into Magic: the Gathering back in 2017. Like most people who spent their time playing those sorts of games, I have ideas and concepts I would love to bring to life one day, from translating the concept of a fighting game to cardboard to making my own deckbuilder themed around aerial combat.

    There is also the concept of “dream cosplays” I would love to do. Obviously Shiori Novella from Hololive English is still right up there, especially given the events of this year where a commissioner severely let me down, but there is also Princess Rosalina from Super Mario Galaxy, the character who (sort of) gave me my name and acted as one of my first egg-cracking moments. So many amazing outfits I would love to wear and goof around in, making both my current self and my inner child extremely happy.

    And finally, the more esoteric one, well, at least it feels esoteric to me.

    I would love to learn how to dance.

    Not just any style of dance – I would love to learn how to dance like my idols in Hololive.

    Whenever a concert comes around, whenever one of the Holomems has a chance to perform live on stage, I watch their dances with fascination and glee, hoping one day I could learn to dance like that myself. Admittedly this did not start with Hololive, as this fascination dates all the way back to when I listened to Luka Luka Night Fever for the first time, but the interest in idol dances definitely ramped up with discovering Hololive.

    Which perfectly leads into what I want to discuss for today’s VTuesday, the first ever full cross-generation Hololive song: Shiny Smily Story, specifically the “call & response practice” version the main channel posted before 4th fes.

    The description does not lie. This is the idol song that represents Hololive, and even as new anthems for different fes and events come along, there will always be something incredibly special about what this song represents, either it be the highs of talents coming together to spread the joy of Hololive, or the inevitable lows that come alongside a graduation where a music box version of this song is used as backing over clips of significant moments.

    Reason I chose this version specifically as this is the most recent posting of the full version with subtitled lyrics, there is a version from when the song was first released back in 2020 but I have always felt a greater resonance with the translated lyrics in this version, so it is the interpretation I want to use for analysis.

    One of the first thing that catches me attention with these lyrics is the use of digital terminology as part of some of the verses, really playing with the fact that Hololive is an agency of virtual idols, examples including:

    “I tweaked the settings of my quivering heart

    So that I wouldn’t feel scared”

    “As I go, I’ll hit delete

    On any thoughts of giving up”

    I always love when Hololive, and hell VTubers in general, really lean into the digital space they occupy, utilising the unique nature of the medium to do interesting things, and small, cute little references to their own digital medium are very sweet.

    The next part I want to talk about is the bridge before the final chorus, and the other main inspiration behind the subject of today’s article. When I first read these lyrics all the way back in 2023, I felt myself tear up a little bit at their meaning, and honestly even two years later I still get misty eyed reading them:

    “I wanna take the stage I’ve dreamed of at last

    Shine with colors no one else has

    Cry my eyes out once in a while

    Get back up again with a smile

    Share the futures that we can see

    Make our dreams a reality

    It’s make or break

    Come on and take a leap of faith”

    There is so much meaning to me in these lyrics, both for what I see in my oshi Holomems and what I can see in myself. 

    For the former meaning, being able to perform on stage can be the realisation of a long-standing dream, with the bright & bold colours of their idol outfit on full display. It can be a long journey, one that will be marked with sadness and hardship, but should never be given up on, because there is a future where that journey pays off, and all the previous hard times show that you have made it, whatever leaps of faith taken paid off in the end.

    And as for the latter meaning?

    Well, I think I ended up summarising what it means for me when I talked about the idol journey above, with just a few context tweaks it becomes more personal to me.

    I know my long-term future is good, because I have the drive and work ethic to deliver what my future needs. There will be hurdles, roadblocks, and stumbles galore, but so long as I can roll with the punches and trust where my feet will land with each step, I am certain I will make it.

    There is not actually much else I want to say about SSS, that bridge covers practically everything else I could say about the song. Through highs, lows, positives, negatives, the dream will always be there.

    Do need a thumbnail though…

    Yeah, best fox friend will work.

    That will cover everything for today, and good timing cause it is almost 10pm here – damn work schedule. Thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to relax and look forward to the rest of your week. 

  • Redundancy Review: Day 135, “Staying Sharp”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning swordsmen and pikemen, welcome to Day 135 of Rosalia Rambles Redundancy Review.

    Starting this one pretty late in the evening compared to how I normally get these done, had basically no chance to breathe during work today followed by a lunch where I was purely focused on recovery, before finishing up for the day and deciding that I wanted to focus primarily on eating for the night alongside playing some Clair Obscur: Expedition 33.

    Absolutely fantastic game by the way, I am just over four hours into the game currently and I am having the time of my life. I think it might end up being too big to do a proper Redundancy Review on, but I definitely want to talk about it at some stage. The themes of the story, the writing, and especially the music are all top-notch with so much to say about all of it.

    But for now, I want to write. 

    I have talked at length over the last couple of weeks about what the “purpose” of the Redundancy Review is. Documenting change, giving myself the opportunity to look back on where I was, and to clear my head from a busy day – though there is one painfully obvious purpose I have yet to talk about.

    It keeps my brain sharp, and my writing skills in use almost every day, which I can see the results of in my everyday life… for the most part.

    When friends or my partner ask for writing assistance, it usually comes quickly to me, be it for a quick naming suggestion, help in jazzing up some paragraphs for a job application, or even for the rare commission. 

    However, the fun part comes when I am asked to write any form of professional email at work. Deep down I know what I need to write and how to handle myself in any work correspondence, having done the task for almost two years after my mentor let me get hands on with production work.

    But there is something that comes with doing that task that causes me to freeze up and overthink about what I need to write, performing several rewrites and word changes to make sure I am not coming off overly harsh, too friendly, or somehow sounding like I do not know what I am doing.

    This has reminded me of two pieces of advice that both my mentor and the producer I worked incredibly closely with have given me. The former comes in regards to me talking to her about my overthinking once:

    “Yes, I know you are an overthinker. That is why I do not give you the chance to think and give you so much to do so you focus on that instead.”

    Harsh? Yes… but she has a point. If I am given enough to work on, and the work is sufficiently stimulating to my brain, I find myself getting into a rhythm before long which seriously helps quiet my brain.

    The second piece of advice came as the producer and I talked about me going overly formal on client calls, making me wonder about the nature of professionalism:

    “Professionalism is delivering your points clearly and not saying fuck.”

    That one in particular has stuck with me, and it has actually helped inform how I handle professional interactions, letting myself sound more natural in how I explain things. I still go a little robotic from time to time, but my delivery has relaxed immensely.

    In a way it is funny, I always worried about my professionalism when it came to delivering my work output, which itself is delivered on calls where a large portion of my plushie collection is on show for my colleagues to look at.

    I do use virtual backgrounds when talking to external clients, as much as I feel like it would be a conversation starter.

    For now though, I keep myself sharp through writing these reviews… which I should probably try write a review segment for today…

    …yeah, let us have a “VThursday” as a complement to VTuesday, even though the name does not roll off the tongue the same way.

    This was something I actually ordered back right before I lost my job, a canvas panel from the “holoAnimArt” series, a collection of original art depicting Hololive members as the animals that they adopt features from for their VTuber model. Being a massive Shirakami Fubuki fan, as I have talked about before on the Redundancy Review, it was a no-brainer to pick up.

    I am surprisingly blown away by the quality of both the included print and the wooden easel it comes with for display purposes. The canvas itself has a loop in the back if I wanted to mount it on a wall instead but I really like the presentation of the easel, gives it a more rustic feeling that matches with the more realistic depiction of the Hololive member as an animal.

    The only gripe I have with it, and this is most definitely a “first world VTuber fan” problem, is that because of the size of the easel and the canvas it does not fit well onto my pre-existing, yet admittedly overflowing, Fubuki shrine, so I either have to display it on its lonesome or commit to doing a full rearrangement of my displays in order to build a better Fubuki shrine.

    You know, if that is one of the biggest problems facing me right now, then my life really is not that bad, for all the overthinking my brain likes to inflict upon me.

    But that will do it for today, thank you for reading today’s edition of the Redundancy Review, my every day writing practice. Wherever you are I hope you are able to relax, it is Friday tomorrow, and the weekend is beckoning us ever closer.

  • Redundancy Review: Day 133, “Never Lose Your Whimsy”

    Redundancy Review: Day 133, “Never Lose Your Whimsy”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning partiers and revelers, welcome to Day 133 of Rosalia Rambles Redundancy Review.

    Trying to write personal pieces whilst in the midst of an ongoing depressive episode is, unsurprisingly, extremely difficult. Striking the delicate balance between staying optimistic in this modern age whilst also maintaining a degree of realism is a tough task – especially when your brain is against you at every turn.

    Losing salaried employment hurt, and it is hard to not view this as an event that will have a negative impact on my path going forward. On LinkedIn I have seen many former colleagues who had been made redundant starting to get back into work, some after a period of one year or more, and I have also seen incredibly talented people stay out of work for even longer than that. That disparity in opportunity pains me to see, and does not help my mental state.

    Once again, I need to keep in mind that I am lucky to be in any sort of work to begin with, and that compared to a lot of my generational peers, I am in a remarkably successful position in terms of my career progression. 

    One fear I have come across in applying to jobs across the public sector is that I am too “tech-pilled” to make a true difference outside of the private sector. My cover letters & supporting statements usually read pretty intensely, talking about my experiences working on high-stakes projects and how I have pushed beyond my limits to deliver exceptional quality work, but usually struggle to write about how this experience will enable me to help people – which is what I ultimately want to do.

    In a way, this is another one of the many reasons why I keep wanting to write the Redundancy Review. I talk a lot about how I want this to serve as a living record of my story, documenting each up and down as I navigate my path going forward.

    But maybe, I also write this as a way to affirm my humanity. To remind myself that I am more than what I can write in cover letters, or what I choose to put on my LinkedIn. I am a writer who chooses to write about the vulnerability in human life, and whilst that may be a purely personal venture for now, I definitely know I will be able to use that skill in the future, to work towards something I know makes me happy.

    For all the challenges that are thrown my way, for all the hardships I endure, I never want to become cynical or jaded. If there is one thing to take away from the Redundancy Review it is that I love games, I love toys, and I love plushies – all things that some might see as childish pursuits, but to me they are what help remind me of who I am: someone who works not for power or titles, but someone who wants to embrace their silliness in all aspects of their life.

    I never want to lose that whimsy… a statement which ties perfectly into the topic for VTuesday today.

    For those familiar with the above phrase, you already know who I am going to talk about, but for those uninformed, say hello to Gigi Murin of Hololive English Justice.

    When Justice first debuted, Gigi was… admittedly extremely low on my radar, especially when looking at the rest of the lineup in the generation. I saw clips from her debut stream and appreciated her gremlin sense of humour as someone who shares it, but compared to the other members, I did not honestly pay her much mind.

    Then came the 21st September incident of 2024, where she dedicated an eight-hour unarchived karaoke stream to singing “September” by Earth, Wind & Fire with multiple variations on the setting she was in and the processing on her audio.

    I feel a lot of people became Grems (I had to capitalise this because Google Docs kept thinking I wanted to spell “germs” no matter how many times I typed it out) after that moment, and I would like to include myself among them, even I did not fully realise it at the time.

    On the surface level, that is all Gigi seems to be: someone who is very good at generating silly bits and running with them to an over-the-top degree, but once you start digging deeper into these bits you realise how exceptional her emotional intelligence is – every bit is well-crafted and layered, bringing comedy through absurdity that someone skilled at being a “professional idiot” can do.

    But there are two moments that stick out in my mind that shows the depth of her emotional intelligence, and were the moments that cemented me as a Grem. The first of which being a short speech in the after party stream of her 3D debut, which is where this article got the title. 

    “Never lose your whimsy! Never lose it. If you lose your whimsy, you become jaded and cynical, and then you start seeing everything in a negative light.”

    Speaking as someone who has talked about becoming jaded and cynical in the wake of a life-changing event, this… definitely speaks to me on a personal level, and it is something I have struggled to keep in mind in recent weeks. Negativity has a way of worming into my mind at the worst of times, and as I continue my search for a new permanent home there have been moments where I feel myself falling into hopelessness.

    But I still choose to create, being inspired by the VTubers I look up to. Seeing the time, energy, and effort they put into projects always leaves an impact on me, leading us nicely into the actual review topic for today, Gigi Murin’s first original song: I’ll still be here

    The moment I listened to this song and I found myself bawling my eyes out over the lyrics, I knew I wanted to talk about this genuine work of art. I have always had an affinity for stories about grief, ever since I had to analyse a poem about the subject as part of my GCSE English exam. There is something hauntingly beautiful about being able to turn the raw emotion of loss into artwork that can help represent how you feel in a given medium – be it writing, illustration, or music.

    “I’ll still be here” is a song dedicated to Gigi’s father, referred to as “gigipapa” in the description, with the lyrics being a beautiful story of how grief stays with you as the years go by, while the video depicts how your living space becomes neglected in the wake of a terrible tragedy.

    It starts off incredibly bright, with the Gigi we know bouncing around her room engaging in all different activities, before a Gigi wearing funeral-appropriate attire walks into the room, looking at her past self from before the funeral with an unknown emotion.

    She still tries to do the activities she was enjoying before the funeral, but there is a distinct lack of energy to all of them, simply going through the motions as her world does not feel the same as before the funeral, the mess slowly piling up across her room as she continues to try engage with life the same way she used to until it finally all piles up with funeral Gigi standing there in the middle of it all. Throughout this sequence as well the room is slowly getting darker as well, representing how dark the world can feel when you fall into a depression-like state, somewhere that grief can definitely take someone.

    After this sequence there is a lot of imagery one could read into and extrapolate what each moment means, but I am not going to do that. Gigi took an immensely difficult decision to share this part of her heart with us as fans, and it would be rude for me to speculate on what could be representations of very intimate memories.

    I will however, talk about the lyrics of the bridge that plays over these images, as they are incredibly moving and act as a general story about how grief can make someone feel:

    “I still go through

    A thousand miles

    The ups and downs 

    I did with you

    And I write down

    A million lines

    Of things that I 

    Could say to you

    And it’s so hard sometimes

    To just come out and say the words

    But I miss you

    So please don’t miss a single thing that I do”

    Grief never truly leaves someone. Its presence will shrink over time, but the memories of what you experienced with someone, everything you wished you could have said to them before they were gone, and the fact that even after any given length of time you still want to say you miss them will stay with you forever.

    But you carry on, not just for yourself, but for their memory as well. You push yourself out of that hole you find yourself trapped in to keep going, making the most out of life to honour those who have gone.

    This gets reflected in the music video as well, as Gigi starts tidying up her room to feel a bit more organised in her life, getting out of her pajamas and into more casual clothes, clenching her fists before she decides to leave the room, going off to clear her head and make the most of a new day.

    Around a day after posting the video, Gigi made a community post on her Youtube that goes into detail around the process of creating the song and her emotions around it, but I want to highlight a few paragraphs in particular for how they resonated with me.

    This is probably going to come off as a touch parasocial, but… even if Gigi does not know me, and likely will never know me on a personal level, I feel extremely “seen” by her talking about how she sees art: as something you condense all your feelings into, throw it out in the world as a ball, and soon wonder why the hell you just created what you did.

    But there is a reason, at least for me, and it is summed up wonderfully in her short sentence: a celebration of life that just screams “I will keep going”.

    To end things off, I would like to tell my own short story about grief, though, not in the sense of losing someone. 

    Back when I first started seeing my therapist, she often emphasised to me about the importance of giving myself time to grieve after major life events, including but not limited to my gender transition, changing my job, and redefining my relationship with my parents.

    It actually took me a long while to fully understand what she meant, and I was initially rather dismissive of this viewpoint. Why would I need to grieve something that was not an explicit loss of a person?

    As time went on though, I started to understand what she meant, and in doing so I not only felt my emotions open up a bit more, I became less harsh on myself. Grief is not limited as an emotional response just to the loss of an individual, we can grieve lost opportunities, lost connections, and lost potential.

    In grieving the small things, we learn how to move forward as the people we want to be while remembering who we once were, living out the true human experience of experiencing change, making mistakes, and growing into who we want to be. 

    This has been a very odd VTuesday, talking about a surprising number of heavy topics, but one that I ultimately hope carries a positive message to whoever is reading this.

    If you have read all this way, thank you for reading today’s edition of the Redundancy Review. Wherever you are, I hope you are able to relax. If you are carrying any amount of grief, be it from the loss of someone you loved or from any other form of loss, I hope you are able to let yourself grieve fully, and find the strength to move forward still.