Rosalia Rambles

Tag: hololive

  • Redundancy Review: Day 372-378, “On-Track Tuesdays”

    Redundancy Review: Day 372-378, “On-Track Tuesdays”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning pyromancers and firebenders, welcome to Day 372-378 of Rosalia Rambles Redundancy Review.

    It is too damn hot.

    But I have fled my flat into the safe confines of a place with air conditioning, and considering I have a habit of trying to get the schedule back on track on Tuesdays, may as well take advantage of being in a better space to help my mind write out what I have been feeling lately.

    The lack of reviews and my emotional state are quite entwined right now, because the worst thing I feel is that I have almost entirely lost my drive to be myself. I was always a person who prided themselves on being someone who persevered through it all, never letting boulders get in my way, and kept moving.

    I do not feel anything like that anymore.

    Avoiding falling into doomerism is the hardest challenge I am coming across right now. Every day feels like a constant struggle to not let my negative thoughts and feelings win, to do as I said in my last review and stay positive. 

    The pain still feels raw in my mind, even though I have not been out of the job for even a month yet, but each day feels longer than the last and finding the strength to do anything is getting extremely hard, which then makes it harder to write because even though I want to present the messiness of the modern job search experience as part of the Redundancy Review, a part of me does not want this to become “Rosa rants into the void in the hopes someone will hear her”.

    Within the scope of my current industry, I am one of ten of thousands – if not hundreds of thousands – who is out of work for various reasons. Lack of funding, AI taking business, shifting market conditions, AI taking business, greed of the C-Suite, AI taking business…

    …you know after writing that out it kind of feels like I wrote the same thing six times in a row rather than it being an attempt at a joke about one of the leading causes around software redundancies right now.

    Tangent aside, I am ultimately not special in the current landscape of tech workers in 2026. All of us are struggling with issues regarding self-esteem after layoffs, financial concerns in the short, medium, and long term, and wondering if the industry that some of us still love will ever recover to the point where we could come back.

    And then I fall into another category, a rapidly growing category if my browsing on LinkedIn means anything.

    The ones who are done with it all.

    The ones who do not want to take the strain or stress anymore.

    The ones saying goodbye for good, contributing to a greater industry brain drain that I do not think AI will be able to compensate for in the slightest without a massive downgrade in quality output – especially when you consider QA is often the first to go when these kinds of layoffs come around.

    Combine this with the reluctance to hire junior talent, and the industry as a whole is moving towards a collapse that may not be coming imminently, but will arrive when things break beyond repair and no one is left to fix them.

    I started this talking about tech, but everything I have said also applies to the games industry as well, and I genuinely think we are in the midst of the next big video games crash, spurred on by lack of original ideas coming out of studios and spiking hardware costs thanks to – you guessed it – AI data centres taking up all of the market for components.

    You know what, while I am here making predictions about various industries, I am going to write out my genuine prediction for how AI will take shape in the coming years.

    It is not a difficult task to recognise I am against Generative AI. It has pervaded my hobby spaces in a horrendously parasitic way that has taken away my ability to enjoy things on a first glance without having to look for the telltale signs of generated imagery, it has made components for PCs more expensive in a way that is taking a massive toll on the industry and making me panic whenever I think my components are glitching out, and ultimately, I think the window for it in its current form to be utilised in any productive way has long since passed, especially when the executive mind just sees it as a way to cut costs.

    But we have gone through a period where NFTs were the next big thing, and even though crypto is not in the news as much as AI is nowadays, there is still a dedicated space for crypto related topics and there is a business going on around it.

    Generative AI in its current form will probably fall off massively within the next half decade. After the capex dries up for data centres, after the venture capital dries up for salaries, or maybe as the lakes dry up for both of the above, the bubble will burst leaving a massive toll on the economy.

    After that, machine learning based AI is likely to take the forefront and dominate the next evolution instead. A lot of machine learning applications have already taken to branding themselves as “AI” to hop on the gravy train of getting more investment and eyes on the tool – looking firmly at you Grammarly – but it is also where the more practical uses of AI can be found in medical imaging, protein folding, and assistance tools across multiple industries.

    We are in a cycle of hype right now, where the ones in charge are desperate to get people hooked to keep this cycle going, and once it is all over, there will be plenty of R&D to build a better foundation for something more utilitarian to take the place of Generative AI.

    One I hope actually achieves the talking point of “AI and humans” rather than having all of the big heads spout it as a way to save their arses.

    Feels weird to have called this “On-Track Tuesdays” when I have changed track multiple times as I write this out, and now I have to derail myself from “serious and semi-nuanced takes on the tech landscape” to “god I love virtual puppetry”.

    It is still VTuesday after all, and my unemployment has given me more time to enjoy actual streams from talents rather than engaging in VODs or music as I am normally one to do. Even if I am only able to catch the end of an eight hour stream of Hollow Knight (thank you Biboo) or if I can watch something from start to finish to zone out to, it feels nice to engage in one of my hobbies live rather than living in catch up land.

    Before I was only able really able to catch small amounts of streams when I had bandwidth to put them on in the background as I worked, which is why I was able to watch so many different Holomems play Monster Hunter World during the whole “Return to World” push around the time of Monster Hunter Wilds starting marketing itself.

    One of these talents is one I have mentioned before, the very fluffy fox of Hololive 1st Generation, Shirakami Fubuki. A VTuber in contention for my all-time favourite from JP, often referred to as “kamioshi” in community lingo, my infatuation started the same way it started with a lot of HoloJP members: through their music.

    And then one day, I saw Fubuki streaming Monster Hunter World. I only really tend to engage with the JP side of things when it is something I am able to understand without needing to understand Japanese. Monster Hunter falls perfectly into this category, as I do not need to understand a single word of what is being said or any word on screen because the universal language of “oh shit I am about to be crushed into soup by an Anjanath” is universal.

    Watching Fubuki stream World is one of the best memories I have as a Hololive fan, not only for getting to watch someone I admire greatly play a game I love, but also because it has bore a running joke with me and my partner from seeing a Dodogama – my all time favourite monster – absolutely body an endgame monster in a fight, all the while she was cheering “DODOGAMU!” in the hopes he would win, which now causes me to shout that whenever I see a Dodogama.

    But ultimately, I follow Fubuki for her music, which is the subject of today’s piece… kind of.

    Cause whilst it is a Fubuki song I want to talk about today, it is not the original.

    KONKON Beats is Fubuki’s fourth original song, initially released on October 6th 2022. It is my… second… third… favourite of her original songs, but one I still love dearly nonetheless for its catchy beat, amazing MV courtesy of Haru, and a chorus I cannot help but dance along to given how simple the moves are for it as shown in this short from the fox herself.

    This is a cover from her genmate Ookami Mio, one who has a close relationship with Fubuki and sang this song in the 2024 Hololive Shuffle mix, where talents found themselves swapping outfits and singing each other’s songs as one big showcase as part of the New Year’s show. Unrelated to the topic, I miss this shuffle mix so dearly, it was such a fun way to showcase other talent’s songs in a fun way and I am so sad it never made a return past 2024.

    Mio does not change any of the lyrics as part of the cover, which gives some segments a wholesome touch. Sadly Fubuki does not put official English lyrics on her MVs, which makes it hard to do lyrical analysis due to the variety of unofficial translations available, but I will be working from this video from Pina on Youtube.

    The chorus goes as follows:

    “KON KON KON
    Yes I’m head over heels for this fox
    Knock knock knock
    Open your heart
    Cause I got the feeling that everything’s gonna be alright
    Now, I’ll cast a spell to bewitch you”

    It is specifically the second line of the chorus that gets me in the wholesome feels when taken in the context of Mio’s cover. In the grand scheme of things they are just colleagues, but like last week’s discussion of CCGG Madness showed, Hololive has the wonderful of having colleagues turn into close friends that you can rely on in tough moments whilst also being able to produce wonderful art alongside them, which Mio saying “I’m head over heels for this fox” definitely helps emphasise.

    The ending of this MV also helps to reinforce that, with absolutely gorgeous art of Mio and Fubuki performing together on stage at Our Sparkle, Mio’s first official solo live concert, reinforcing that Mio sees Fubuki as a trusted colleague and close friend, and wants to keep performing with her for however long her career may last.

    There is no way to predict the future when it comes to how long talents can stay, but the important part is to cherish them while they are still around. Fubuki has had an illustrious eight-year career with Hololive up until now, and there are no signs of her stopping any time soon, but regardless of what happens, I will always keep the memories I have with her close to my heart.

    Started this review talking about how I have lost drive, with the person behind the keyboard worrying about how much she would be able to write, and I end up doing almost two-thousand words entirely within the confines of this cafe over the course of about an hour and a half.

    Pretty good work if you ask me, now if only I could do it consistently.

    Regardless, thank you for reading today’s edition of the Redundancy Review. Wherever you are, I hope you are able to relax today and stay away from the heat. It is boiling hot in the UK and even the measures I take inside the flat do not work too well. Hopefully the end of the week cools down a bit and I do not have to stress too much about cooling down.

    I say that, and my intention tomorrow is travelling to my parent’s place to make sure my mum’s plants survive – pray for me.

  • Redundancy Review: Day 367-371, “Staying Positive”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning pioneers and explorers, welcome to Day 367 to 371 of Rosalia Rambles Redundancy Review.

    No, I am not ashamed for empahsising that number, thank you for asking.

    And if you did not notice, now you do.

    Small moments of brevity like this are what helps to keep my morale up when a lot of my life is shifting in drastic ways around me. From hanging out with friends to share silly jokes, to sitting down and playing video games with people I care about deeply, taking that time where possible really helps to stop my mood completely plummeting into negativity.

    That is not to say I am completely immune to negative moments, and admittedly the reason I am writing about this topic today is because my mind has been fixated on so many negative things that I want to try talk about what I do to stay positive in the face of massive life changes.

    One of the simplest things I have found positivity in ever since losing my job has been the ability to drink coffee without it feeling like a crutch or something that is “essential” for me to function through the day. Granted, I am someone who still needs an amount of stimulants in my system in order to be at my peak, but there have been moments where I think to myself, “I want a coffee”, rather than “Oh dear god I need coffee right now”, and because my day is dictated at my own pace currently I do not need to gulp it down as fast as possible to get the blood pumping.

    I think in general the fact I am taking life at a slower pace currently is both helping and hindering my mindset. Helping in that I do not feel constantly rushed by everything going on and the pseudo-urgency of corporate deadlines so I can work on projects at a comfortable speed rather than feeling ashamed that I am not doing everything all at once to make sure things get done.

    Though, it hinders me because some days all I feel I am doing is filling the time with activities to do nothing but distract me because I will get to the end of the day feeling accomplished with what I have done before the realisation sets in that I have to do it all again tomorrow and the things I did do have not sufficiently made me tired enough to sleep, leading to a restless night as negative thoughts creep back in.

    To borrow a quote from Umamusume Pretty Derby Season 2: “Has one day… always been this long?”. Fucking heartbreaking line in context, but it is one I have found myself relating to a lot these past days.

    Writing helps as well, but, some days it definitely feels harder to have the bandwidth to sit down and recount what I have been feeling, or even feel settled long enough to write something coherent about my day… which is weird to say on my writing blog.

    I do not want to call it “writer’s block”, because I do not particularly feel blocked on what I want to say, but whenever I try to write recently my head feels unbearably full with me needing to force myself to focus…

    …the fun part about being consistently inconsistent is that I wrote this paragraph, took a break, and then ended up sleeping for two hours before needing to do evening errands.

    I think I am going to skip ahead to the review, as it talks about a VTuber song I have wanted to discuss for ages and I do not want to lose another VTuesday along the way because I cannot write a preamble piece.

    So let the madness commence!

    The Hololive English Justice pair of Cecilia Immergeen and Gigi Murin is lovingly referred to as “Autofister”, due to Ceciilia being an ancient automaton and Gigi being… the fister.

    Cause of her massive power fists.

    These two are an absolutely chaotic pair with an amazing onscreen dynamic, Gigi’s chaos perfectly contrasting with Cece’s reluctance to play along whilst trying to maintain somewhat of a reserved facade, with both of them eventually aligning on things and letting all hell break loose.

    This is perfectly reflected in their annoyingly catchy song, with several fun visual gags throughout including:

    • “I’m fifty shades of fucked up”
    • Recreating The Creation of Adam but with their designs
    • The “argument” before the final chorus starting by showing the editing timeline of the video
    • And honestly the entire argument sequence is filled with great on-screen gags inbetween the two of them bickering in the background

    The part I want to highlight in particular is the bridge that comes right after the argument, as I feel those lyrics really resonate with what Autofister means:

    “All our fun must come to an end
    But at least you’ve found a friend
    So let us play and stay forever

    Now together!”

    These two came together as colleagues in Justice, but have formed a genuine and sincere friendship together that generates extremely memorable moments on stream, but does so in an extremely heartwarming way to see the two of them interact. If it were not for Hololive, there is a good chance these two would not have found each other, and even through the company’s many persistent issues, there is still beauty to be found in what the girls can create together.

    Feels like I have not written a lot, but there is only so much I feel I can do analysis wise on a song that is ultimately just a very silly project between two friends who work together. Give it a listen, I went through it three times as part of writing this and I am not even starting to get sick of listening to it.

    As the title suggests, it helps me stay positive.

    Thumbnail picture inbound…

    Thank you for reading today’s edition of the Redundancy Review. Wherever you are, I hope you are doing well.

    Let us keep doing our best every day.

  • Redundancy Review: Day 334-336, “Mission Statement”

    Redundancy Review: Day 334-336, “Mission Statement”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning C-Suites and executives, welcome to Day 334-336 of Rosalia Rambles Redundancy Review.

    Going to be another career focused ramble today, though one that hopefully ends off with a more positive message around my own work than anything else. 

    It feels easy to create career-focused articles right now because of how much is going on in my head surrounding my current career. Whilst there is a prevailing desire to leave behind startup culture with a greater motive of leaving the tech industry entirely, I cannot deny that the prospect of transitioning away from a five year career feels somewhat daunting – especially when that entire time has been spent within the corporate yoke.

    The problem in my mind is that I am far too good at existing in a system that I do not want to be a part of. This especially hits home when I reflect upon my own self and how people such as myself often struggle to meld within these spaces whilst maintaining the expectations of others.

    Or to drop the formal business speak: how the fuck has my trans and neurodivergent arse survived in this world for so long?

    In all honesty, the answer is most definitely privilege, in that my career thus far has been surrounded by people who either understood where I was coming from – my line manager’s last message to me at Codemasters was “I hope you become the person you want to be” – or had a natural curiosity about my situation and wanted to learn more from the source rather than making assumptions based on whatever the media is saying.

    Side note, if on the off chance you are somehow reading this: I am definitely the person I want to be Pete, and I hope the crazy world of EA has not swept you up too hard like it has done to so many of my other colleagues.

    People understood that my brain was likely going to cannibalise itself every so often, and when I brought up my concerns to the people responsible for managing me the response was usually:

    “Wow, that sucks. You’re still doing good work though so try not to stress too much.”

    Which does track. I will have moments where everything sucks and my mind is eating itself alive, but I still try to deliver. I guess allowing myself to have schedule slippages on the Redundancy Review now is a sign that I am being a bit kinder in terms of how I treat my work…

    …not a massive fan of the wording there, which is strange to say cause I wrote it, but I am not “allowing myself” to have breaks. The Redundancy Review is a reflection of who I am as a person, breaks in the schedule of the so-called “daily series” reflect how I am feeling in the current situation I find myself in, having lost two jobs within the span of a year.

    This leads nicely into what the title is about. One of the main things you come across when applying to corporate jobs is when you start doing your research on the company you want to join, which invariably leads you to a “mission statement” or “core values” page.

    Borrowed from my old haunt of EA

    They usually are one word titles followed by a brief summation of what it means to the company, and it is one of the easiest wins you can find in a job application or interview by being able to quote a company’s values back at them as it shows you took the time to learn about the foundation of the company.

    Considering I want to work on this site as a proper artist in the wake of this latest layoff, whilst simultaneously showing that even though I have made a public declaration to leave the industry, I still have the wherewithal to reinsert myself back into the corporate if needed: I am going to write a mission statement for Rosalia Rambles today.

    Rosalia Rambles is the personal brainchild of one Rosalia Butler, an introverted and slightly neurotic writer from the UK. Her headline series is the “Redundancy Review”, an (almost) daily series which covers her adventures navigating joblessness whilst also providing an outlet for her to gush about nerdy things. In addition to this, she is a passionate fiction writer with the ability to adapt to any genre and an underlying talent to try to make any piece of fiction trans allegory. 

    Going forward, she wishes to adopt the following values into her work:

    Humanity – The focus of the Redundancy Review is the human behind the screen. This means there will be no Generative Artificial Intelligence content hosted on this website, as to do so would be to sacrifice the integrity of the site as a whole. 

    Expression – Art is a reflection of the soul. Whilst there will be nuances in how certain topics are presented to maintain professionalism, ultimately this site is meant to be an expression of my true self. This means a decent amount of swearing, an unabashed joy in how I present myself as a trans woman, and very few filtered thoughts unless the situation calls for calm.

    Messiness – Humans are messy creatures, and any articles or stories will reflect that messiness by presenting an unfiltered view into the soul of an artist. I will make mistakes, I will not filter feelings, and I certainly will forget to correctly place images in the future. Mistakes are what remind us we are human: we make them, we fix them, we learn from them.

    Kindness – To borrow the guiding principle from my mentor: “Everyone shits. And how we deal with that is how we move forward as people.” I shit, the people behind topics I review shit, everyone shits. What matters is how we navigate the fact that everyone shits, with the overriding value of kindness above all else.

    Legacy – “Life isn’t just about passing on your genes. We can leave behind much more than just DNA. Through speech, music, literature and movies… what we’ve seen, heard, felt… anger, joy and sorrow… these are the things I will pass on. That’s what I live for. We need to pass the torch, and let our children read our messy and sad history by its light. We have all the magic of the digital age to do that with.” 

    …yeah that last is ripped verbatim from the ending of Metal Gear Solid 2, but considering I am a card-carrying member of the Cult of Kojima, I have no shame in applying some of his fantastic writing skills to my own work.

    In a sillier world I would add “VTubers” as a core value, but that is what we have VTuesday for.

    Raora Panthera falls into the same category as Nerissa Ravencroft to me, in that a new generation of Hololive talent debuts and there will be one or two members I am instinctively drawn to, but the remaining members end up standing out to me in their own ways.

    Specifically, what drew me in with Raora was twofold:

    • Her amazing Youtube shorts that either played around with her lore as a member of Justice, or just her explaining how to make various Italian dishes
    • Her streams of Monster Hunter World, which became frequent background noise during my work hours whenever she streamed it

    The latter in particular was very good at making me a fan, as I gelled with her personality very easily and I became familiar with her more nerdy side over time.

    Today’s review is about her second original song, “Draw.”, and I think it is a good example of being able to engage with art even if you do not fully understand it.

    Case in point, this song is in majority Japanese with no English subtitles available, and only a few English lyrics to go off to try to discern the meaning.

    Despite that, I consider this a beautiful piece of art about the nature of creation, and how art that comes from the soul is made with the purest colours.

    “All the pieces I picked up
    Unraveled within my own chest
    “It’s okay,” I whisper softly
    Saying it back to myself”

    To me, this English verse refers to the nature of an artist drawing inspiration from the world around them and using their heart and instinct to make sense of it all, reassuring yourself that art created from your own external stimuli is valid, especially if you use it to help you process the things you see.

    “All the colors I held back
    Start to gather in the hush
    “It’s all right,” the first light tells me
    Sending warmth into my heart”

    This verse refers to the artistic side struggling to express itself in the way it wants to. Colours in art can mean multiple different things, and can bring about many different interpretations, and it is good to let those colours out as an expression of yourself, letting whatever artistic muses you may have influence what you put down on your medium of choice.

    The main English verse though is what made this song speak to me:

    “Draw it slow, draw it true.”

    Art is an inherently slow process. It can take months, sometimes years, even decades for a work to reach its true completion, what matters is that the end result is true to the mind behind the work. Speed does not matter when creating works of art that reflect the nature of the soul, the key factor is that the end result rings true to the soul of the artist.

    “The effort you put forth to anything transcends yourself, for there is no futility even in death”

    Monty Oum

    Outside of the lyrics, the music video itself is gorgeous, reflecting what it means to be an artist with delightful visual references to programs, tools, and silly little doodles present throughout as well.

    I love the medium of VTubing, especially as VTubers from across the spectrum of corporate to indie all put in immense effort to their creative contributions to the world. I often use the phrase “digital puppetry” to describe VTubers to people who might not be familiar with the topic, but the medium itself goes far beyond such simplistic terms, as every VTuber is an artist in their own right, no matter what area of expertise they specialise in.

    A perfect blend of corporate speak and talking about the nature of being an artist, all the while affirming what I consider to be the “mission statement” of the Redundancy Review – this might be one of my best works yet.

    Thank you for reading today’s edition. Wherever you are, I hope the week is treating you well so far. The world continues to turn even if our bodies are catching up to that fact, and whatever we do this week, we can smash it.

  • Redundancy Review: Day 329, “Tidying Time”

    Redundancy Review: Day 329, “Tidying Time”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning caretakers and clearers (yes that is a word, I specifically looked it up), welcome to Day 329 of Rosalia Rambles Redundancy Review.

    Spent a bit of today doing some cleaning, both of myself and of my living space, specifically starting to tackle clearing out the fridge and freezer in order to make space for various essentials I want to pick up in the coming weeks whilst I still make my current amount of money alongside tidying up the bathroom so I could stick the shower baskets back on to keep things relatively organised.

    Housework is always something I struggle to find the impetus for, possibly because of that old bastard ADHD. It never seems urgent in my mind, so it falls by the wayside in favour of other things, but simultaneously, I am a housework fiend when it comes to procrastinating something more important…

    …there is a joke in here about how my flat is going to be the cleanest it has ever been as I put off finding another job, but I do not know how confident I feel to make it.

    So instead I think I will spin it more into a general discussion topic, specifically along the lines of: What sort of timeline do I think I will find a new job on?

    The short answer is: “eeeeehhhhhhhhhhhhhhhhhhhh?”, with the explanation to that answer and the long answer being one and the same.

    As I have mentioned previously, processing where I want to go next is the first priority, and given I am extremely privileged to have a good amount of runway to support a long amount of processing time, debugging myself and recovering from burnout is the key.

    At the same time though, I know this is also partially because I reckon a three-to-six month job search is going to be the optimistic end of the timeline, with upwards of one-and-a-half years being the middle ground between pessimism and realism given how rough the market is currently for job searchers, hence my logic of wanting to throw myself into writing cause if I am going to be on the search for a while, I may as well maintain a massive personal project.

    It is the advice that is always given to all walks of life in terms of career development: maintain a personal project. Artists of all flavours, programmers, and even quality assurance professionals such as myself are expected to work on projects or ideas outside of work hours to show your dedication to your craft, and it is the theory behind this that I have a love-hate relationship with.

    I get the logic behind it, promise. Working on stuff outside of work can help show employers what you are capable of in ways that cannot be expressed properly in an interview or job application, and it can be fulfilling to see a personal project through to completion – especially if you do so with friends.

    But at the same time, and especially with modern work culture, the idea of giving up personal time to go beyond work feels extremely unfair in terms of how it makes you stand out to employers. Heck the reason there are so many gaps of multiple weeks between Redundancy Reviews before I got shitcanned was because I would finish a work day and not even want to fathom doing anything that would class as brain stimulation – and I work remotely.

    Remote work means that I do not have to consider the same factors as other people do:

    • There is no commute to worry about, freeing up on average two hours
    • I live in a very walkable town that has numerous local amenities for lunch and food shopping, meaning I can do those errands on my lunch hour
    • During my breaks from work, I can make small dents into the housework list as a way to get away from the screen and decompress my mind
    • And because I only had a few meetings a day, I could spend my focus energy on actually getting the job done rather than having my social battery drain bit-by-bit

    All of these are an extreme privilege to have against modern work culture, and asking someone who works longer hours and also has to deal with a commute to give up their paltry time in the evening or any amount of time during the two weekend days they get to work on a personal project feels, in equal measures, performative and exploitative.

    There is also a prime opportunity for me to drag AI through the mud once more off the back of that, but I think I will save that one for another day and instead talk about VTubers that I like.

    Like Nerissa Ravencroft from Hololive English Advent.

    I ramble about Shiori Novella enough, but I have only slightly alluded to what I think about Nerissa. When Advent initially debuted she was actually the design I was taken least with, but as time went on and I saw how she interacted with the community on streams, I started to fall in love with how this silly goober functions, combined with her absolutely godlike singing voice.

    Her originals are wonderfully crafted pieces that resonate with different emotions in each piece, from alluding to the playful and seductive nature of demons in “Say My Name”, to diving deep in how it feels to reflect alone on mistakes and past trauma in the hauntingly poetic “In My Feelings”… and well, I could talk about Oyome Holic here too, but let us save that for a day where I am not writing this at past ten in the evening.

    This varied vocal energy is brought out in the cover songs she creates as well, with the two I am wanting to highlight showing both ends of the Vocaloid producer spectrum with “Birdbrain” nailing the esoteric and weird side of things (alongside nailing the scream right at the end of the bridge), and with “Rabbit Hole” utilising Rachie’s English lyrics being…

    …well…

    …Rabbit Hole is a hell of a good song, and I will leave it there to save myself any embarrassment.

    Outside of this though, the thing I admire most about Nerissa is her work ethic. She does so much behind the scenes to enable music and streams for the Jailbirds, and this definitely deserves to be recognised more because the effort put in even when the odds are against her is one hell of an admirable quality.

    Plus her obsession with Culver’s acts as great advertising for the American chain, to the point that if I somehow end up in the US in the future, I would love to try it out.

    Anyway, that’s my VTuber rambling at an end for today, not so much a review, more just an unstructured gush about the talents I look up to.

    Thank you for reading this edition of the Redundancy Review. Wherever you are, I hope this week brings you peace and comfort where possible, or if you are facing hardship, that it passes by quickly without much weight on your soul.

    Keep on keeping on.

  • Redundancy Review: Day 322, “Comfort”

    Redundancy Review: Day 322, “Comfort”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning duvets and blankets, welcome to Day 322 of Rosalia Rambles Redundancy Review.

    Today does not feel like a good day. A mixture of the events of last week combined with period brain descending upon me has led to my emotions feeling volatile and horrible, flip-flopping from anger to regret over being angry to overwhelmed and somehow finding every emotion in between that.

    To this end, even after I dragged myself out of bed to play some Umamusume and watch the Helldivers 2 patch notes video with my partner, I find myself back in the same location sipping a delicious mocha and finding some weird inspiration to write about how I feel right now.

    Period brain can do many things to me, but one of the worst things it does is turn the various negative parts of my mind up to eleven. Catastrophising gets amped up to the point that even the most minor inconveniences somehow turn into world-ending events, depression and despair make my outlook on things I enjoy turn into doom and gloom predictions of wondering what could go wrong, and as for my aggression levels, well, I will refer to contemporary poet Fred Durst to explain how it feels:

    “It’s just one of those days where you don’t wanna wake up
    Everything is fucked, everybody sucks
    You don’t really know why
    But you wanna justify rippin’ someone’s head off”

    It is a rare occasion where I get to quote Limp Bizkit for something – I do not even consider myself a fan, but “Break Stuff” is an infinitely quotable song for moments like this.

    So, what do I do when everything is fucked and everybody sucks?

    I seek out things that comfort me.

    Quick synonym tangent, I initially used the word “insular” to describe how I prefer to interact with things that comfort me, but I did not think that really describes how I view the situation, a point that was compounded further when I looked up the synonyms of the word and I did not really agree with any of them. Thesauruses are great, I know most people would use an LLM to do the task today, but that removes the joy of discovering just how many synonyms can exist for a word as the chatbot response will only cover the most popular.

    Back on track – comforting myself is an activity I usually do in seclusion more than anything else. Whilst other people (my partner included) find comfort in getting out there and spending time with like-minded individuals, my comfort typically comes from being in a private space where I can engage in my hobbies. 

    Most of the time, this is me getting all cozy in bed with a hot mocha and an ice water, with me zoning out to streams or playing stuff on my Steam Deck. Long stretches of time where I can have no interruptions from the outside world where I can focus solely on immersing myself in another world.

    Escapism would be the most appropriate term to describe this I guess, something I have talked about before last year with a Redundancy Review. It was the reason why, up until I got canned again, that I was looking at properly investing into cosplay more this year cause I view the idea of getting all dressed up in the outfit of one of my favourite characters as one of the ultimate forms of escapism.

    Feels weird to say in a way, that one of my ideas of peak comfort is dressing up in an elaborate getup only to sit at home and do the things I would be doing anyway, but I think it serves as an important disconnection point to the harsh reality that envelops so many of us today. A persona, if you will, one you can put on or off at will to help feel like you are someone greater than you are… though I feel I lean more towards “magical girl” vibes than “superhero” vibes when the latter would be more appropriate to some.

    This is also where my love of worldbuilding and elaborate details probably comes from. The notion of having a fantasy world where even the most minute details are thought through brings joy to my soul, where systems are thought through to try to give them as much grounding within the real world whilst retaining the whimsical aspects of fantasy.

    And considering this is the first VTuesday I have been able to mark in a while, this also marks a good opportunity to talk about why VTubers appeal to me in the context of escapism.

    Despite having never grown up as your typical “theatre kid”, being more the shy and reserved type, there is a certain appeal in the notion of regular people being behind virtual avatars. Whilst kayfabe is slowly becoming less of an “essential” part of VTuber culture, for better or worse, the characters that the performers embody can still carry a lot of emotional weight in their words and actions.

    This might be why Hololive English Advent is my favourite unit of VTubers, as they blend together what I consider to be a perfect mix of the real person underneath combined with their lore and characters. Their personalities coming through on streams and them being the sweetest people ever contrasts wonderfully with how their original songs and stories go.

    An original song is the topic of today’s review, the final part of Advent’s five-part story: Unchained

    I reviewed Genesis what seems like a lifetime ago, and between then and now the remaining songs have come out of the series. Is it a little weird I am reviewing the final song without having covered the second, third, and fourth songs? Yes. Do I do anything in order on the Redundancy Review? You bet your sweet arse I do not.

    Unchained I feel is an appropriate song to review both for a day like this and considering the events I have been going through recently. It is a song about escaping from any trials you have gone through before and living a new life full of freedom, hope, and expectation for tomorrow.

    The first chorus in particular speaks to me:

    “Now I feel so free, I can be who I am,

    I know I’m not alone, I got a new life,

    In the rain, the wind, and the sunlight.

    You believed in me, and that’s where it all began

    Now hope is everlasting, I can live my life with you,

    Unchained”

    With this next stint of unemployment, outside of some emotional volatility, there is much less fear than there was before. In a way, I do feel like I have a new lease of freedom compared to what I had before, and that no matter what days ahead I face, rain, wind, or sunlight, I have a life that I can truly call mine, one fully unchained from the past.

    However… it would not be a Rosalia Rambles piece if I did not find some way to extract a trans allegory from this song, and by god the chorus definitely hits that criteria. 

    Being trans mean to live a true life unchained from the expectations of others, and in living that truth you live a happier life no matter what outside forces are coming at you – and believe me there are a lot of outside forces that want to bring you down if you are trans.

    Transition is not a solitary thing though, or at the very least, transition gets a whole lot easier when you have supportive people in your life. Having confidants that believe in you and want to encourage you to be your best self can give you some amazing amounts of motivation to live your life to the fullest.

    I also want to do a bit of analysis on the bridge, as I feel that is a wonderful sequence that speaks to the lore, and actual social dynamic, of Advent being a found family of misfits:

    “Don’t cry, you can breathe free; I’m here if you need me

    Let go of all your heartache,

    We made it through, it’s the dawning of a new day

    Feel the world’s embrace,

    Oh what a joyful place

    This is where I wanna be, so come with me;

    Keep dreaming…”

    First off, I have to gush about the first two lines sung by my absolute favourite sweetheart Shiori Novella. Her voice is so smooth and soft making these lines so comforting to listen to.

    But all of these lines combine to give the vibe of Advent regrouping after they finally made it out of The Cell together, taking a moment to breathe and take in the world around them, seeing the beauty of nature once more before carrying on in the world, being free to dream once more as the group of lovable renegades they are.

    God… for all of Hololive’s documented issues, I still find it so easy to support the girls when they put on massive projects and performances like this – especially knowing how bureaucratic it can get behind the scenes sometimes.

    Thumbnail picture, swiped from the official Hololive English Twitter account

    That covers everything for today, a somewhat rambly Redundancy Review for a very up-and-down day. Thank you for reading this edition. Wherever you are I hope you are able to relax and enjoy the things that bring you joy and make life worth living.

  • Redundancy Review: Day 213-217, “Getting Distracted”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning latecomers and no-shows, welcome to Day 213 to 217 of Rosalia Rambles Redundancy Review.

    Spent time over the weekend not writing to focus on spending time with friends and doing my own things.

    Did not write.

    Got too involved in games last night to take some stress off.

    Did not write.

    So tonight, after one of my regularly scheduled gaming sessions, I am forcing myself to write something before I do anything further for my own entertainment tonight.

    Maintaining discipline is hard, especially when I work a full-time job in addition to handling day-to-day tasks, often leaving little time for writing when all I really want to do is play RPGs or watch cartoon horses run around a track. The ADHD does not help in this regard, though that affects both my personal and professional ventures.

    It can sometimes be a blessing, usually when the hyperfocus hits just right to allow me to belt through a massive chunk of work in a short amount of time or hit the writing flow exceptionally well to the point I will ramble on for several paragraphs about whatever topic sits at the forefront of my mind, but this boon of hyperfocus comes with the downside of what it feels like to be at the opposite end of the spectrum.

    Complete.

    Shutdown.

    No work gets done, no nothing gets done unless it provides the adequate of dopamine to kickstart my addled brain once more, and the worst part is when this state comes right after a period of hyperfocus – usually being knocked out of it by something happening in the middle of my work, or as is often the case nowadays, finding myself frustrated at something to where it snaps me out of my flow state into a short period of sulking where I need to do something completely different or else my brain does not want to cooperate.

    This is where having a remote job with a flexible work schedule really helps me out, as I am able to take that time without a manager looking over my shoulders wondering why the hell I have stopped for a bit and get myself back into the right state of mind, along with not having to worry about not being able to stay later due to that interruption, I have the time to get my work done.

    That freedom is something I definitely do not take for granted, and my working environment is what has allowed me to be my best self all this time because I am free from the psychological distractions that usually come from being within an office. Part of me wonders how long it would take to resocialise me if I were to ever work in person again, because I know I can be equal parts abrasive and weird when it comes to my working style, not to mention the copious amounts of swearing… did hit an extremely satisfying “son of a bitch!” during work yesterday though, that felt great.

    Alright, that is enough sidetracking. It is very rare I managed to hit Tuesdays on schedule given recent slips so I wanted to make the most of it with a proper VTuesday segment, once more talking about a song, this time from a contender for my Hololive English kamioshi, Ninomae Ina’nis with Tako Takover.

    On stream vibes alone, Ina worked her way into my heart with cozy gaming and art content, but she is equally talented as a singer, leading to beautiful pieces like Violet all the way to surprisingly intense pieces like Tako Takover.

    And when I say intense, I mean there is a part of me that is dying to be in a crowd whenever this is played live because I feel the call & response and chanting would be absolutely insane to be involved in.

    Right after the opening lyrics there is repeated chanting of “ICHI! HACHI! TAKODACHI!” followed by “INA INA INA”, which never fails to get me into the listening mood for this song, finding myself singing along very soon into the song…

    …which is completely the point given the insanely clever lyrics written by fellow HoloEN member Mori Calliope, combining the beautiful puns that Ina herself is known for whilst weaving a story about the Tentacult rising to power in the world with Ina herself as the leader behind the new world order.

    I am not immune to propaganda, and considering this is essentially a propaganda piece for a cult of weird little purple guys following a priestess of the Ancient One… sign me the fuck up. 

    In a way I am glad I fall for fictional propaganda more than I do real world propaganda because if I were not as politically aware as I am I feel I would have fallen into a cult or an alt-right pipeline by now.

    That is entirely beside the point though, what is the point is this song is awesome, though, given it was composed by Aiobahn +81, composer behind Internet Yamero, a similarly intense and catchy song with crazy lyrics, it is no surprise. 

    Yeah no my brain has stopped working now. Listen to the song, or both of them, and feel the rhythm of the bass hit you, I guarantee either one of them will be stuck in your head after.

    And I have to thank Ina herself here for posting a nice full size picture of the thumbnail of Tako Takover on her Twitter account so I can use it as a thumbnail.

    That about covers it for today, hopefully I can keep the discipline up to get back to a reasonable schedule. Thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to relax and take the week easy.

  • Redundancy Review: Day 210, “Heart of an Idol”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning units and detachments, welcome to Day 210 of Rosalia Rambles Redundancy Review.

    Missed a fair few milestones due to not having the energy to write throughout the majority of December, but considering I am reasonably on schedule this time we can commemorate thirty weeks worth of the review… provided my maths is character, I think it is because a Tuesday is a multiple of seven usually and 210 is a multiple of seven, so I am pretty certain I am on track.

    Thirty weeks since possibly the most life-altering event I have encountered thus far, one that fully derailed where I was thinking I was going to go and shunted me onto the path I am currently on, a path that is currently serving me quite well even if I have my doubts about its longevity. It is weird to think that I am rapidly approaching the year anniversary of the titular event, hopefully I can stay on track to mark that as a milestone as well.

    It is VTuesday however, and the first one of those I have got to mark in a while as well, though today it is going to be more of a general discussion about an aspect of VTubing before heading into the review.

    Taking into account the origin of VTubing within Japan, it is almost impossible to talk about the majority of corpos and a significant number of independents without talking about what is often referred to as “idol culture”.

    And no, this is not going to be a screeching mess of an article about how idol culture is burning out massive amounts of VTubers , if just because I do not consider myself educated enough about the culture as a whole to articulate proper criticisms that are not just my own opinion as a relative outsider.

    This is especially apparent when you take a look at my history within idol-related media and find a fair few notable names lacking:

    • Never engaged with Love Live!, neither the game or the anime outside of Nico memes
    • Never engaged with Bandori outside of having a passive awareness of Chu2 and PAREO
    • And never engaged with Idolmaster to even know any of the characters by looks or name

    All I really took an interest in growing up was many other people’s first exposure to what an idol is: Vocaloid, and by extension… Megurine Luka.

    Yeah, no, for someone who started to interact with Vocaloid in their middle teenage years which was over a decade ago now dear god, Hatsune Miku was not actually the first Vocaloid to catch my eye, it was instead the elegant and graceful Megurine Luka I developed an attachment to first. Of course attaching to one Vocaloid almost makes it a guarantee that you will attach yourself to others which did happen to me eventually as well, it is just interesting to me I diverged from the norm from the offset.

    This fascination started with Luka Luka★Night Fever, which I cannot mention without saying rest in peace to Samfree, the producer behind this song. I hope you are resting easy knowing you left an undeniable legacy on this world with your music. From the get go the song is catchy as all hell with fun and energetic dance moves, dance moves which started to develop my interest in the idea of learning idol dances like so many young weebs aspire to do.

    In general, both back then and today, idol concerts are the driving force behind my semi-pipe dream of wanting to learn how to dance. There is something that just enraptures me about seeing the perfect blend of music, vocals, and dancing that makes me want to aspire to move like that myself… then the “pipe dream” part kicks in and outside of loading idol songs onto Beat Saber, I find it hard to find both the motivation and energy to learn, usually falling victim to my inconsistent sense of rhythm.

    I eventually branched out a bit more into Vocaloid, picking up a few other favourite producers along the way, with special mention going to Neru (the producer, not the Vocaloid Akita Neru) for some absolute bangers of songs with absolutely heart breaking lyrics – looking squarely at you Lost One’s Weeping.

    But as mentioned above, an interest in idols did not go far beyond Vocaloid as many of the other popular idol trends passed me by…

    …until Hololive showed up in my life, and everything changed.

    From that moment on, not only did I find a beautiful source of additional idol concerts to partake in, it massively expanded my world to finding other VTuber corpos and independent VTubers who provided similar sources of entertainment. This, combined with the massive boom that VTubing experienced over the early 2020s, made me fall in love with idol performances all over again.

    Although this time, as someone with both a fully developed brain and a reasonable sense of their own gender identity, it made me fixate on the general look and style of idol uniforms as a whole – primarily because I really wanted, and still do, to wear one some day with the even more massive pipe dream of attempting to perform in one.

    For now though, I am more than content to be in the crowd, waving my light sticks around, cheering “HAI! HAI! HAI!” or engaging in the ever so wonderful feeling of doing a call-and-response with whoever is on stage.

    But Hololive is now not the only source of my idol entertainment, as I now find myself fully in the grips of Umamusume: Pretty Derby, a franchise that somehow finds the perfect blend of sports anime and idol anime to make for an absolutely exhilarating and whimsical experiences delivered by your Uma clutching victory from the jaws of defeat before going up on stage to perform in the “Winning Concert”.

    Both in the anime and in the game I find myself singing along and cheering during the various performances, along with me and my partner groaning in despair when the anime decides to skip over winning concerts or dangle the hints of them in our face – special highlight here going to Next Frontier.

    True to their name, idols give me inspiration. I see how hard they work, often in the face of odds working against them, putting in all their effort to put on shows both online and in real life, and I find myself wanting to strive for the same peak in my own life and my own art. This is definitely apparent in the music of one 2.5D fairytale idol, the ever lovely Phoebe-chan and her song “Bloom Again”.

    It has only been recently that I have known who Phoebe-chan is, going back to her headline performance at the VExpo 2025 opening concert… though the funny part of that is my partner and I ran into her a short while before the concert. She was getting ready in the lobby of the hotel we were staying at, and, true to my partner’s fascination with frilly and fancy outfits, he stopped to talk to her whilst I went back to our hotel room, it was only later on that we connected the dots of what happened.

    Her performance during the concert was a mix of heartwarming moments with her original music, talking about difficulties encountered throughout the year and wanting to grow beyond what had happened in the past, followed by absolute meme territory featuring a performance of Renai Circulation with Smash Mouth and Space Jam put into the mix.

    From that moment, and compounding that with the small meet & greet she hosted the day after where we got to have a proper conversation with her and purchase some of her merch, I have found myself a quiet but dedicated fan of her work, resonating with the themes of growth, rebirth, and trying your best to go with the flow that she puts into her music.

    I actually said to her during that meet & greet that I had almost cried during her opening concert performance, as what she talked about resonated deeply with my own experience of losing my job a few months prior. I bought her album at that moment and she offered to sign it, writing a lovely message in the top-left corner.

    “Rosa, let’s meet again!! <3”

    It is a simple touch, but that small signature does help keep me going on some rough days, especially as I would love to see her again at VExpo this year.

    Plus her manager has the absolute badass name of “Steiner”, just such a powerful and cool name for someone to have.

    That… once more went way longer than I expected it to, especially for one once more so off the cuff. All the same, thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to find things that inspire you in your life, be they big or small, I hope something brings you joy and helps you find the strength to keep going.

  • Redundancy Review: Day 202-204, “The Patent Pending Year End Ramble”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning closers and finishers, welcome to Day 202, 203, and 204 of Rosalia Rambles Redundancy Review.

    I’m waiting in my cold flat when the bell begins to chime
    Reflecting on this past year as it doesn’t have much time
    ‘Cause at twelve o’clock, they take me to the New Year’s Dawn
    The sands of time for me are running low…

    Bit of an Iron Maiden reference to end the year off. Was sitting here trying to think how to write an opening to the year end ramble and Hallowed Be Thy Name just got right into my head.

    2025 is almost over, and for a lot of us it has been one right stinker of a year. There have been plenty of high points throughout the year where the light of hope shined brightly to break through the darkness, but true to the sequence of days this year started with, it really was a “WThF” kind of year.

    Not sure what a “ThFS” year looks like, but I am ninety-percent convinced it cannot be worse than what this year was.

    I am going to get all the negatives out of the way first, because there is:

    1. A lot of them
    2. I do not want the positives being buried by the negatives
    3. Holy shit this year went so wrong in so many ways

    Going to start with the elephant in the room: redundancy. The whole reason I am sitting here writing a series with that word in the title. Working in the tech industry often means that you await news of your next funding round or new business arriving in with bated breath, desperately yearning for a job where you work on a ThinkPad instead, but when the reality hits that you really do not have a job anymore, it hits like a truck.

    For me, I was anticipating it, and had begun job searching anyway… though I was not anticipating it so soon in the year, I was at least expecting to see 2025 in my previous role, so getting sideswiped in May was not fun in the slightest.

    In the wake of being laid off, the lingering resentment I hold towards the UK government came right to the forefront as I navigated the Insolvency Service, Universal Credit/Jobseekers Allowance, and then setting up as a sole trader with HMRC, fighting through bureaucracy at every moment in the short month I was unemployed. 

    Which, yeah, I was only actually unemployed for a month after officially being made redundant. I cannot imagine how some of my former colleagues feel struggling to find work several months after the fact, because that month felt simultaneously long and slow to me.

    Even with the future still uncertain, I do feel I have developed a fair bit due to doing this contract role. Has it been challenging in its own way? Of course it has, I still struggle to reconcile who I want to be with who I currently am, which has been the source of several mental challenges over the course of the end of the year, not helped by seasonal depression being an absolute monster this time around due to how grey and wet the end of the year has been.

    I do feel hardened by everything I have gone through, and not necessarily in the cold & cynical way I was initially on the path of earlier in the year. I still put too much of myself into things that will likely not return the same love and care, leading to me overusing my energy during the day leaving very little in the tank for the evenings and making it so my weekends are more focused on recovery than actually enjoying myself. 

    But I feel myself slowly gaining an acceptance of the future holding whatever it has for me, as much as I feel a latent desire to be in control of my fate. There is very little I can do to change things other than stay the path I am on and wait for opportunities to arise, which this year has definitely had a lot of good ones.

    That is enough about job stuff, time to move on to some minor negative things.

    First off: a custom cosplay going awry two weeks before my big convention holiday to VExpo. That really sucked, even though the resolution to it was an overall positive due to me getting a full refund for shoddy work. It has at least taught me to be extremely anally retentive and specific when it comes time to define the specifications for a new custom cosplay in the new year, a goal I definitely want to try again with, though maybe not entirely with Hololive this time around.

    Secondly, and I mentioned this in the last Redundancy Review: having to fight an online fashion community for besmirching my partner’s honour, another event that came with a lot of negatives, but has some positive linings.

    Was it a traumatic ordeal for the both of us to navigate false and inflated accusations from a bunch of elitist randoms online? Yes

    Did it take away three precious days of our life navigating the ever changing goalposts those upjumped Discord mods enforced upon us? Yes

    Was our privacy violated by the amount of guilty until proven innocent assumptions a group of sad, lonely, and bored timewasters inflicted upon us? Yes

    Did I get a fucking thrill from taking their arguments apart piece-by-piece in an extensive Google Dockey and having a grudge to hold on to in order to live a beautiful life for both me and my partner out of sheer spite? You bet your arse I do.

    And again, if anyone from that fashion community is reading this post because you still feel the need to cyberstalk us, read my words carefully. I am more than capable of holding this grudge until the two year waiting period is up, and then holding it beyond that point to fuel the spite even further.

    God that feels good to get out of my system.

    And finally: not spending enough time with friends, something I have been working on fixing in the last months of the year and want to work on more in the early months of 2026. From pulling out of social engagements at the last minute, having clashing plans that prevent me from making the most of my time with people, or just simply having my mental demons catch up with me at the worst times, there has been less time I have spent with the people I care about most in my life.

    Think that covers every major bit of negativity this year, time to move onto the way more positive aspects of the year.

    Starting with another elephant in the room: VExpo, the absolute highlight of my year, and focus of the best & biggest piece of writing I did this year what do you mean this was almost four months ago now what the fuck it was day 90 I wrote that and we’re on day 204 now.

    VExpo gave me a taste of a life I did not actually think I would have again. One of going out to conventions, meeting like-minded individuals who enjoy the same hobbies that I do, spending time engaging in all my silly hobbies and coming back feeling both the lows of post-con depression and the absolute high of experiencing such a wonderful event with so many memories made.

    It is my goal to return for VExpo 2026, and I want to make next year’s trip even better than the one this year, with hopefully the convention itself stepping up their game to put on an even better show.

    Next up, it has actually been a great year for me in terms of gaming and pushing myself to 100% complete various games, the proudest of which I definitely think is either Monster Hunter Wilds for the surprising reward of the size grind in that game due to how investigations work and how my friends and I were able to share investigations with one another, or Death Stranding Director’s Cut, for the fairly straightforward nature of all its achievements and the fact it is a Kojima game, so I was absolutely enthralled the entire time.

    It is something I would like to bring forward into 2026, picking up previous projects to finally finish off like Mass Effect Legendary Collection and finding new ones like Space Marine 2. Achievements are always special to me, and pushing myself to 100% games is something I seriously enjoy.

    One part of this year that has ended up surprisingly well for me is actually my financial situation. Without going into too much detail and oversharing sensitive information, for someone who lost their job in the middle of the year I actually end this year off with a stronger savings position than what I started in, almost doubling what I had at the beginning. Of course I still have to worry about taxes in a couple months time which will take a decent chunk back out of that savings cushion, but the fact I can be in a position to not be overly worried about that time is incredibly reassuring.

    And finally, I want to end this post off with what I think is definitely one of the biggest positives of this year.

    This.

    The Redundancy Review.

    A series born out of an unfortunate event, turning into my biggest writing project of my life, with several ups and downs and a lot of missed days, I still end this year off with:

    • 120 posts covering 204 days
    • Approximately 120,000 words across those posts, averaging about 1000 words per post and 584 words per day
    • 54 total food and drink reviews
    • 16 posts about VTubers and VTuber related content
    • 1044 views since kicking off the Redundancy Review

    All of which are insane milestones to consider when 2024 was one of my worst years for writing, and 2025, through a shit circumstance, ended up being one of my best.

    The year ends with a certain amount of uncertainty over my future still, but even in the face of adversity, I made the most of this year with amazing goals achieved nonetheless. For the thumbnail, I am going to post the bingo card I made at the start of the year alongside a group of friends in lieu of standard “resolutions”, which turned into a much more fun way to track the year gone by.

    And that does it for the Year End Ramble, and for the year. Thank you for reading this edition of the Redundancy Review, wherever you are, be it in the past or in the future, I hope you are doing well, and that life is on a steady path for you.

    2025 is ending, let us hope 2026 is a year of far simpler times.

  • Redundancy Review: Day 175, “Multiples of Seven”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning squares and factorials, welcome to Day 175 of Rosalia Rambles Redundancy Review.

    Tuesday is an important milestone day when it comes to writing these pieces, which makes it a shame that I have missed so many recently as part of my schedule slippage. We have the tradition of me making every Tuesday topic talking about something in the VTuber space, but the day also helps me keep track of how many weeks I have been doing the Redundancy Review, and by extension, making sure my day counter stays consistent.

    When it comes to writing a Tuesday piece, I will take the day and divide it by seven. Getting a whole number back means I am still consistent in my day tracking, and lets me know what week I am on.

    It is week twenty-five, if you are curious. Twenty-five weeks since I first got made redundant, with so much learnt about myself along the way, and yet… I still feel immature within the world as a whole.

    My birthday is coming up next week, and I will be twenty-eight years old, which coincidentally is also a multiple of seven, and my birthday is on Tuesday, which means it will be on a multiple of seven day for the review… okay I am getting tangential here, need to get back on track.

    Twenty-eight is a young age, all things considered, but I feel an immense amount of pressure from within my own mind to be beyond my own capabilities. For all intents and purposes, I have made an extraordinarily successful life for myself and my partner for people within our Gen Z age group, even through all the uncertainty and instability that my redundancy brought, we still had a very good lifestyle.

    I anticipate needing to do some amount of lifestyle trimming depending on the outcome of this contract and how easily I can come into new work after the contract ends. It will take a while for me to reach a point where I feel “stable” in terms of work again, and there is a real possibility that I will be in what I consider to be “unstable” work for a while yet.

    In the meantime though, I shall keep carrying on as I do, rambling about the nature of life as I see it and, when I actually make a post on a Tuesday, VTubers.

    Given the news this morning though, I feel I have to try highlight the work and career of Amane Kanata, a talent from Hololive Japan Fourth Generation who today announced they would be graduating at the end of December.

    This might be a little difficult, because I admittedly am not massively in tune to what work they have done outside of the few appearances I know off the top of my head, but I will sure try.

    First off, six years. Six years spent as a Hololive idol, working on streaming, original albums, and solo concerts. That is an impressive amount of time to spend in any career, let alone one that puts so much pressure on the talent to perform on a regular basis, so that level of dedication has to be respected.

    She listed her reasons for graduation in a document, the translated version of which I will link here (Twitter link) for full context, but it seems like she was taking on too many responsibilities above her position which led to her falling behind on her actual streamer activities, all of which took a toll on her health – all the more worrying considering she suffers from Meniere’s Disease, a very debilitating condition that causes vertigo, tinnitus, and fluctuating hearing loss.

    From the small bits I have seen of Kanata, she is an incredibly talented singer, being able to hold notes for extreme amounts of time whilst having complete control over her voice. Additionally, there was an absolutely massive outpouring of love on Twitter from other Holomems, finding out about her decision to graduate at the same time as the greater fanbase.

    People sharing good memories, saying how supportive she was of their activities, and saying that when things calm down, they should share good food together. It is the mark of a good colleague that everyone feels rough when you announce your departure.

    Though, it definitely highlights the rough nature of corporate VTubing in a way. Kanata taking on way more responsibility than her position dictated should not have happened, and suggests a lot of potential management issues behind the scenes that we as fans do not know about – something that has been speculated for a long time considering how often “disagreements with management” were cited as reasons for graduation.

    Any corporate entity is likely to have issues with management, but when the brand is built on the personas of these idols, taking time away from them which could be spent on brand building activities to instead fix problems above their station does not bode well, so hopefully after a rough year of multiple graduations for Hololive, the corporate structure going forward favours talents more and enables them to perform at their best without bureaucracy holding them back.

    For now, I wish Amane Kanata the best in whatever she does next. She explicitly stated she does not intend to reincarnate or return as a VTuber, preferring instead to be a private individual once more – which I can relate to.

    That covers everything for today, thank you for reading this edition of the Redundancy Review. Wherever you are, I hope your week is going well, and that you have positive things on the horizon.

  • Redundancy Review: Day 147, “Dreams”

    (for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)

    Good morning dreamers and nappers, welcome to Day 147 of Rosalia Rambles Redundancy Review.

    Something I miss a lot from my recent experiences with stress is that I have not been having any dreams lately, which makes me a bit sad honestly – not that I can really remember most of what happens in my dreams anyway due to not keeping a dream journal, but the ability to go inside of my mind for a sensory experience before my alarm goes off to rouse me out of sleep is something I oddly enjoy.

    Still capable of having nightmares though, though admittedly they are as infrequent as my dreams right now which is relieving. Specifically when it comes to having nightmares I can struggle to differentiate between what happened in the dream and what happened in real life, something that has actually led me to believing what happened in the nightmare before I snap myself out of it.

    My fascination with dreaming most likely comes from my love of stories, the idea that I can go to sleep with the ability to experience an almost nonsensical story produced by the random thoughts my sleeping brain comes up with has a strange appeal to it.

    But, as usual with me being a writer, the title has a double meaning, as I want to ramble about what my dreams are in an aspirational sense, and why despite the fact they feel so far away right now, I want to keep working towards them. This is partially inspired by a conversation I had with a friend over lunch about my current situation in relation to job searching, personal pursuits, and life in general.

    Let me start with the obvious one: writing. I would love to be able to make it as a writer somehow, either as a freelancer with reliably stable regular gigs with clients who love what I do or as an in-house dedicated copywriter for some kind of digital agency, though I know in this current economy that is one hell of an ask, especially given my minimal experience as a formal copywriter. Plenty of examples and instances throughout my career, just harder to sell than someone who has been doing it a lot longer than I.

    It would also be nice if I could monetise Rambles in some way, which I sort of already do with commissions (contact me for commission rates, I would be happy to work on anything you like (yes anything)), but that is also a similarly tall task to make it support all of my expenses.

    For now though, Rambles is my creative outlet, something to keep my mind active and my skills honed against the tide of AI-generated content. Hopefully when my life calms down a bit I will be able to write more fiction and get to some of the more in-depth pieces I always promised myself I would create.

    My dreams are not limited to writing though, some of them are logical, some of them are… a little more esoteric.

    I would love to make my own card game one day. I have grown up playing all sorts of tabletop games, from starting out with Warhammer 40k in my local library, to being introduced to the GOATed deckbuilder that is Star Realms, before I was finally brought down to the gutter when I got into Magic: the Gathering back in 2017. Like most people who spent their time playing those sorts of games, I have ideas and concepts I would love to bring to life one day, from translating the concept of a fighting game to cardboard to making my own deckbuilder themed around aerial combat.

    There is also the concept of “dream cosplays” I would love to do. Obviously Shiori Novella from Hololive English is still right up there, especially given the events of this year where a commissioner severely let me down, but there is also Princess Rosalina from Super Mario Galaxy, the character who (sort of) gave me my name and acted as one of my first egg-cracking moments. So many amazing outfits I would love to wear and goof around in, making both my current self and my inner child extremely happy.

    And finally, the more esoteric one, well, at least it feels esoteric to me.

    I would love to learn how to dance.

    Not just any style of dance – I would love to learn how to dance like my idols in Hololive.

    Whenever a concert comes around, whenever one of the Holomems has a chance to perform live on stage, I watch their dances with fascination and glee, hoping one day I could learn to dance like that myself. Admittedly this did not start with Hololive, as this fascination dates all the way back to when I listened to Luka Luka Night Fever for the first time, but the interest in idol dances definitely ramped up with discovering Hololive.

    Which perfectly leads into what I want to discuss for today’s VTuesday, the first ever full cross-generation Hololive song: Shiny Smily Story, specifically the “call & response practice” version the main channel posted before 4th fes.

    The description does not lie. This is the idol song that represents Hololive, and even as new anthems for different fes and events come along, there will always be something incredibly special about what this song represents, either it be the highs of talents coming together to spread the joy of Hololive, or the inevitable lows that come alongside a graduation where a music box version of this song is used as backing over clips of significant moments.

    Reason I chose this version specifically as this is the most recent posting of the full version with subtitled lyrics, there is a version from when the song was first released back in 2020 but I have always felt a greater resonance with the translated lyrics in this version, so it is the interpretation I want to use for analysis.

    One of the first thing that catches me attention with these lyrics is the use of digital terminology as part of some of the verses, really playing with the fact that Hololive is an agency of virtual idols, examples including:

    “I tweaked the settings of my quivering heart

    So that I wouldn’t feel scared”

    “As I go, I’ll hit delete

    On any thoughts of giving up”

    I always love when Hololive, and hell VTubers in general, really lean into the digital space they occupy, utilising the unique nature of the medium to do interesting things, and small, cute little references to their own digital medium are very sweet.

    The next part I want to talk about is the bridge before the final chorus, and the other main inspiration behind the subject of today’s article. When I first read these lyrics all the way back in 2023, I felt myself tear up a little bit at their meaning, and honestly even two years later I still get misty eyed reading them:

    “I wanna take the stage I’ve dreamed of at last

    Shine with colors no one else has

    Cry my eyes out once in a while

    Get back up again with a smile

    Share the futures that we can see

    Make our dreams a reality

    It’s make or break

    Come on and take a leap of faith”

    There is so much meaning to me in these lyrics, both for what I see in my oshi Holomems and what I can see in myself. 

    For the former meaning, being able to perform on stage can be the realisation of a long-standing dream, with the bright & bold colours of their idol outfit on full display. It can be a long journey, one that will be marked with sadness and hardship, but should never be given up on, because there is a future where that journey pays off, and all the previous hard times show that you have made it, whatever leaps of faith taken paid off in the end.

    And as for the latter meaning?

    Well, I think I ended up summarising what it means for me when I talked about the idol journey above, with just a few context tweaks it becomes more personal to me.

    I know my long-term future is good, because I have the drive and work ethic to deliver what my future needs. There will be hurdles, roadblocks, and stumbles galore, but so long as I can roll with the punches and trust where my feet will land with each step, I am certain I will make it.

    There is not actually much else I want to say about SSS, that bridge covers practically everything else I could say about the song. Through highs, lows, positives, negatives, the dream will always be there.

    Do need a thumbnail though…

    Yeah, best fox friend will work.

    That will cover everything for today, and good timing cause it is almost 10pm here – damn work schedule. Thank you for reading today’s edition of the Redundancy Review. Wherever you are I hope you are able to relax and look forward to the rest of your week.