(for context on what this series is, please see my Day 1 post here: Redundancy Review: Day 1, “A New Beginning” – Rosalia Rambles)
Good morning partiers and revelers, welcome to Day 133 of Rosalia Rambles Redundancy Review.
Trying to write personal pieces whilst in the midst of an ongoing depressive episode is, unsurprisingly, extremely difficult. Striking the delicate balance between staying optimistic in this modern age whilst also maintaining a degree of realism is a tough task – especially when your brain is against you at every turn.
Losing salaried employment hurt, and it is hard to not view this as an event that will have a negative impact on my path going forward. On LinkedIn I have seen many former colleagues who had been made redundant starting to get back into work, some after a period of one year or more, and I have also seen incredibly talented people stay out of work for even longer than that. That disparity in opportunity pains me to see, and does not help my mental state.
Once again, I need to keep in mind that I am lucky to be in any sort of work to begin with, and that compared to a lot of my generational peers, I am in a remarkably successful position in terms of my career progression.
One fear I have come across in applying to jobs across the public sector is that I am too “tech-pilled” to make a true difference outside of the private sector. My cover letters & supporting statements usually read pretty intensely, talking about my experiences working on high-stakes projects and how I have pushed beyond my limits to deliver exceptional quality work, but usually struggle to write about how this experience will enable me to help people – which is what I ultimately want to do.
In a way, this is another one of the many reasons why I keep wanting to write the Redundancy Review. I talk a lot about how I want this to serve as a living record of my story, documenting each up and down as I navigate my path going forward.
But maybe, I also write this as a way to affirm my humanity. To remind myself that I am more than what I can write in cover letters, or what I choose to put on my LinkedIn. I am a writer who chooses to write about the vulnerability in human life, and whilst that may be a purely personal venture for now, I definitely know I will be able to use that skill in the future, to work towards something I know makes me happy.
For all the challenges that are thrown my way, for all the hardships I endure, I never want to become cynical or jaded. If there is one thing to take away from the Redundancy Review it is that I love games, I love toys, and I love plushies – all things that some might see as childish pursuits, but to me they are what help remind me of who I am: someone who works not for power or titles, but someone who wants to embrace their silliness in all aspects of their life.
I never want to lose that whimsy… a statement which ties perfectly into the topic for VTuesday today.
For those familiar with the above phrase, you already know who I am going to talk about, but for those uninformed, say hello to Gigi Murin of Hololive English Justice.
When Justice first debuted, Gigi was… admittedly extremely low on my radar, especially when looking at the rest of the lineup in the generation. I saw clips from her debut stream and appreciated her gremlin sense of humour as someone who shares it, but compared to the other members, I did not honestly pay her much mind.
Then came the 21st September incident of 2024, where she dedicated an eight-hour unarchived karaoke stream to singing “September” by Earth, Wind & Fire with multiple variations on the setting she was in and the processing on her audio.
I feel a lot of people became Grems (I had to capitalise this because Google Docs kept thinking I wanted to spell “germs” no matter how many times I typed it out) after that moment, and I would like to include myself among them, even I did not fully realise it at the time.
On the surface level, that is all Gigi seems to be: someone who is very good at generating silly bits and running with them to an over-the-top degree, but once you start digging deeper into these bits you realise how exceptional her emotional intelligence is – every bit is well-crafted and layered, bringing comedy through absurdity that someone skilled at being a “professional idiot” can do.
But there are two moments that stick out in my mind that shows the depth of her emotional intelligence, and were the moments that cemented me as a Grem. The first of which being a short speech in the after party stream of her 3D debut, which is where this article got the title.
“Never lose your whimsy! Never lose it. If you lose your whimsy, you become jaded and cynical, and then you start seeing everything in a negative light.”
Speaking as someone who has talked about becoming jaded and cynical in the wake of a life-changing event, this… definitely speaks to me on a personal level, and it is something I have struggled to keep in mind in recent weeks. Negativity has a way of worming into my mind at the worst of times, and as I continue my search for a new permanent home there have been moments where I feel myself falling into hopelessness.
But I still choose to create, being inspired by the VTubers I look up to. Seeing the time, energy, and effort they put into projects always leaves an impact on me, leading us nicely into the actual review topic for today, Gigi Murin’s first original song: I’ll still be here
The moment I listened to this song and I found myself bawling my eyes out over the lyrics, I knew I wanted to talk about this genuine work of art. I have always had an affinity for stories about grief, ever since I had to analyse a poem about the subject as part of my GCSE English exam. There is something hauntingly beautiful about being able to turn the raw emotion of loss into artwork that can help represent how you feel in a given medium – be it writing, illustration, or music.
“I’ll still be here” is a song dedicated to Gigi’s father, referred to as “gigipapa” in the description, with the lyrics being a beautiful story of how grief stays with you as the years go by, while the video depicts how your living space becomes neglected in the wake of a terrible tragedy.
It starts off incredibly bright, with the Gigi we know bouncing around her room engaging in all different activities, before a Gigi wearing funeral-appropriate attire walks into the room, looking at her past self from before the funeral with an unknown emotion.
She still tries to do the activities she was enjoying before the funeral, but there is a distinct lack of energy to all of them, simply going through the motions as her world does not feel the same as before the funeral, the mess slowly piling up across her room as she continues to try engage with life the same way she used to until it finally all piles up with funeral Gigi standing there in the middle of it all. Throughout this sequence as well the room is slowly getting darker as well, representing how dark the world can feel when you fall into a depression-like state, somewhere that grief can definitely take someone.
After this sequence there is a lot of imagery one could read into and extrapolate what each moment means, but I am not going to do that. Gigi took an immensely difficult decision to share this part of her heart with us as fans, and it would be rude for me to speculate on what could be representations of very intimate memories.
I will however, talk about the lyrics of the bridge that plays over these images, as they are incredibly moving and act as a general story about how grief can make someone feel:
“I still go through
A thousand miles
The ups and downs
I did with you
And I write down
A million lines
Of things that I
Could say to you
And it’s so hard sometimes
To just come out and say the words
But I miss you
So please don’t miss a single thing that I do”
Grief never truly leaves someone. Its presence will shrink over time, but the memories of what you experienced with someone, everything you wished you could have said to them before they were gone, and the fact that even after any given length of time you still want to say you miss them will stay with you forever.
But you carry on, not just for yourself, but for their memory as well. You push yourself out of that hole you find yourself trapped in to keep going, making the most out of life to honour those who have gone.
This gets reflected in the music video as well, as Gigi starts tidying up her room to feel a bit more organised in her life, getting out of her pajamas and into more casual clothes, clenching her fists before she decides to leave the room, going off to clear her head and make the most of a new day.
Around a day after posting the video, Gigi made a community post on her Youtube that goes into detail around the process of creating the song and her emotions around it, but I want to highlight a few paragraphs in particular for how they resonated with me.
This is probably going to come off as a touch parasocial, but… even if Gigi does not know me, and likely will never know me on a personal level, I feel extremely “seen” by her talking about how she sees art: as something you condense all your feelings into, throw it out in the world as a ball, and soon wonder why the hell you just created what you did.
But there is a reason, at least for me, and it is summed up wonderfully in her short sentence: a celebration of life that just screams “I will keep going”.
To end things off, I would like to tell my own short story about grief, though, not in the sense of losing someone.
Back when I first started seeing my therapist, she often emphasised to me about the importance of giving myself time to grieve after major life events, including but not limited to my gender transition, changing my job, and redefining my relationship with my parents.
It actually took me a long while to fully understand what she meant, and I was initially rather dismissive of this viewpoint. Why would I need to grieve something that was not an explicit loss of a person?
As time went on though, I started to understand what she meant, and in doing so I not only felt my emotions open up a bit more, I became less harsh on myself. Grief is not limited as an emotional response just to the loss of an individual, we can grieve lost opportunities, lost connections, and lost potential.
In grieving the small things, we learn how to move forward as the people we want to be while remembering who we once were, living out the true human experience of experiencing change, making mistakes, and growing into who we want to be.
This has been a very odd VTuesday, talking about a surprising number of heavy topics, but one that I ultimately hope carries a positive message to whoever is reading this.
If you have read all this way, thank you for reading today’s edition of the Redundancy Review. Wherever you are, I hope you are able to relax. If you are carrying any amount of grief, be it from the loss of someone you loved or from any other form of loss, I hope you are able to let yourself grieve fully, and find the strength to move forward still.
Rosalia Rambles 
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